Форма представления | Статьи в зарубежных журналах и сборниках |
Год публикации | 2016 |
Язык | английский |
|
Аминева Венера Рудалевна, автор
Юзмухаметова Ландыш Нургаяновна, автор
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Библиографическое описание на языке оригинала |
Landysh N. Yuzmukhametova, Venera R. Amineva. Intertextuality in N.Gambar?s lyrics: dialogue of the western and eastern traditions // International journal of humanities and cultural studies. july, 2016, рр. 7-13. ISSN 2356-5926 |
Аннотация |
International journal of humanities and cultural studies |
Ключевые слова |
Tatar literature, Russian literature, lyrical subject, identity, genre, dialogue, "own", "foreign" |
Название журнала |
International journal of humanities and cultural studies
|
URL |
http://www.ijhcs.com/index.php/ijhcs/issue/view/23 |
Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=134762 |
Файлы ресурса | |
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Полная запись метаданных |
Поле DC |
Значение |
Язык |
dc.contributor.author |
Аминева Венера Рудалевна |
ru_RU |
dc.contributor.author |
Юзмухаметова Ландыш Нургаяновна |
ru_RU |
dc.date.accessioned |
2016-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2016-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2016 |
ru_RU |
dc.identifier.citation |
Landysh N. Yuzmukhametova, Venera R. Amineva. Intertextuality in N.Gambar?s lyrics: dialogue of the western and eastern traditions // International journal of humanities and cultural studies. july, 2016, рр. 7-13. ISSN 2356-5926 |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/?p_id=134762 |
ru_RU |
dc.description.abstract |
International journal of humanities and cultural studies |
ru_RU |
dc.description.abstract |
Intertextuality is considered as a system forming principle of poetics of Tatar poet N. Gambar. It reflects the various ways and forms of the lyrical subject self-identification: as a carrier of common type substance of humanity, a representative of a particular ethnic group, the unique individuality that is passing painful phase of overcoming the phenomenon of his existence, the creative person who is learning his mission in the world. It is established that the genre and composite structure of the poems (close to the fragment genre) corresponds to the process of self-identification and self-determination of the lyrical hero in the world. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
Tatar literature |
ru_RU |
dc.subject |
Russian literature |
ru_RU |
dc.subject |
lyrical subject |
ru_RU |
dc.subject |
identity |
ru_RU |
dc.subject |
genre |
ru_RU |
dc.subject |
dialogue |
ru_RU |
dc.subject |
"own" |
ru_RU |
dc.subject |
"foreign" |
ru_RU |
dc.title |
Intertextuality in N.Gambar?s lyrics: dialogue of the western and eastern traditions |
ru_RU |
dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|