| Форма представления | Статьи в зарубежных журналах и сборниках |
| Год публикации | 2016 |
| Язык | английский |
|
Вафина Алсу Хадиевна, автор
Зуева Екатерина Владимировна, автор
Шевченко Елена Николаевна, автор
|
| Библиографическое описание на языке оригинала |
Zueva E., Shevchenko E, Vafina A. Eternal Literary Images and Their Interpretation in Provincial Theatre / E. Zueva, E. Shevchenko, A. Vafina // International Journal of Humanities and Cultural Studies (IJHCS).- 2016.- Special Issue, July 2016- PP.645-650. |
| Аннотация |
This paper deals with two stage adaptations of Molière's play Dom Juan or The Feast with the Statue, presented by Tatar State Academic Theatre (director – Farid Bikchantayev, Kazan) and Kazan Russian Academic theatre (director – Grigoriy Dityatkovskiy, Saint Petersburg). Both of
these productions were shown during the theatre season of 2015-2016. However they can be considered completely different. Farid Bikchantayev starts the dialogue with the text of Molière, trying to actualize its meaning according with nowadays interests. The version of Grigoriy Dityatkovskiy is exaggeratedly theatrical. The director creates vivid imaginative form, which dominates over the plot part. Kazan stagings of Molière show different approaches to the classical material and eternal images of the world literature. |
| Ключевые слова |
contemporary interpretations of the classics, eternal images, Molière, Dom
Juan, staging, Kazan theatres |
| Название журнала |
International Journal of Humanities and Cultural Studies (IJHCS)
|
| Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=146294 |
| Файлы ресурса | |
|
|
Полная запись метаданных  |
| Поле DC |
Значение |
Язык |
| dc.contributor.author |
Вафина Алсу Хадиевна |
ru_RU |
| dc.contributor.author |
Зуева Екатерина Владимировна |
ru_RU |
| dc.contributor.author |
Шевченко Елена Николаевна |
ru_RU |
| dc.date.accessioned |
2016-01-01T00:00:00Z |
ru_RU |
| dc.date.available |
2016-01-01T00:00:00Z |
ru_RU |
| dc.date.issued |
2016 |
ru_RU |
| dc.identifier.citation |
Zueva E., Shevchenko E, Vafina A. Eternal Literary Images and Their Interpretation in Provincial Theatre / E. Zueva, E. Shevchenko, A. Vafina // International Journal of Humanities and Cultural Studies (IJHCS).- 2016.- Special Issue, July 2016- PP.645-650. |
ru_RU |
| dc.identifier.uri |
https://repository.kpfu.ru/?p_id=146294 |
ru_RU |
| dc.description.abstract |
International Journal of Humanities and Cultural Studies (IJHCS) |
ru_RU |
| dc.description.abstract |
This paper deals with two stage adaptations of Molière's play Dom Juan or The Feast with the Statue, presented by Tatar State Academic Theatre (director – Farid Bikchantayev, Kazan) and Kazan Russian Academic theatre (director – Grigoriy Dityatkovskiy, Saint Petersburg). Both of
these productions were shown during the theatre season of 2015-2016. However they can be considered completely different. Farid Bikchantayev starts the dialogue with the text of Molière, trying to actualize its meaning according with nowadays interests. The version of Grigoriy Dityatkovskiy is exaggeratedly theatrical. The director creates vivid imaginative form, which dominates over the plot part. Kazan stagings of Molière show different approaches to the classical material and eternal images of the world literature. |
ru_RU |
| dc.language.iso |
ru |
ru_RU |
| dc.subject |
contemporary interpretations of the classics |
ru_RU |
| dc.subject |
eternal images |
ru_RU |
| dc.subject |
Molière |
ru_RU |
| dc.subject |
Dom
Juan |
ru_RU |
| dc.subject |
staging |
ru_RU |
| dc.subject |
Kazan theatres |
ru_RU |
| dc.title |
Eternal Literary Images and Their Interpretation in Provincial Theatre |
ru_RU |
| dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|
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