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THE ROLE OF COLOUR DEFINITIONS IN TATAR POETRY (AN EXAMPLE OF MARSEL GALIEV'S WORKS)
Форма представленияСтатьи в зарубежных журналах и сборниках
Год публикации2017
Языканглийский
  • Замалетдинов Радиф Рифкатович, автор
  • Замалетдинова Гульнара Фандасовна, автор
  • Хабутдинова Милеуша Мухаметзяновна, автор
  • Библиографическое описание на языке оригинала Rahmatullina Ramilja R., Zamaletdinov Radif R., Khabutdinova Milyausha M., THE ROLE OF COLOUR DEFINITIONS IN TATAR POETRY (AN EXAMPLE OF MARSEL GALIEV'S WORKS)//AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH. - 2017. - Vol.7, Is.2. - P.34-36.
    Аннотация The article presents the results of an empirical research of colour designations in Tatar poetry based by the example of the works by the poet Marcel Galiev. Based on the experience and results obtained by the researchers in the field of colour terms, using the method of continuous sampling, the distribution method, the method of component analysis, and the statistical method, the authors have revealed the most characteristic features of using colours in the works of the famous Tatar poet. For M. Galiev, colour rendering is not only a literary device, but it carries a diversity of functional meanings. The poet resorts to colour naming most often to describe nature and less often to describe the appearance of a person, as well as his clothes and household items. M. Galiev is a romantic in his attitude to the world. He is adherent to ак – 'white' color. The favourite colours of the poet are also сары 'yellow', яшел 'green', зәңгәр 'blue', which is typical for the Tatar linguistic worldim
    Ключевые слова Tatar poetry, colour, color naming, colour spectrum, individual style, monochrome, Marcel Galiev, Turkic and Tatar folklore.
    Название журнала AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH
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