КФУ. Карточка публикации. National perspective as axiological component of the composition art world

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NATIONAL PERSPECTIVE AS AXIOLOGICAL COMPONENT OF THE COMPOSITION ART WORLD

Форма представления

Статьи в зарубежных журналах и сборниках

Год публикации

2018

Язык

английский

Авторы, сотрудники КФУ

Аминева Венера Рудалевна, автор

Библиографическое описание на языке оригинала

Amineva V.R., National perspective as axiological component of the composition art world//XLinguae. - 2018. - Vol.11, Is.2. - P.329-337.

Аннотация

The subject of the study is the axiological content of the Tatar writer A. Eniki works written in the 1950s-1960s: «Who sang?«, «The native Land,« «A copper hand bell.« The art world of these stories is considered as the integrity formed by valuable installations of the author: it opposes to destructive tendencies of the epoch personal and patrimonial memory, responsibility for the land of ancestors, beauty of the native nature, poetic aspects of the people life, his ancient history and great culture, spiritual wealth and wisdom. The conclusion is drawn that the axiological pithiness of works defines their genre and composite structure: the principles of interaction between the epic and lyrical (in story «Who sang?«, «A copper hand bell«), epic and novelistic (in story «The native Land«) tendencies in the narration, the descriptive beginning with logic of a plot development. It is established that the valuable structure of the represented world reveals at the level of the principles an

Ключевые слова

A. Eniki, Tatar literature of the 20th century, value, identity, composition, architectonics, genre, epic, lyrics, symbolization

Название журнала

XLinguae

URL

https://www.scopus.com/inward/record.uri?eid=2-s2.0-85047383379&doi=10.18355%2fXL.2018.11.02.26&partnerID=40&md5=e90c6bb2f6d3aaf45c37cd6def918ef0

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https://repository.kpfu.ru/?p_id=183246

Полная запись метаданных

Поле DC	Значение	Язык
dc.contributor.author	Аминева Венера Рудалевна	ru_RU
dc.date.accessioned	2018-01-01T00:00:00Z	ru_RU
dc.date.available	2018-01-01T00:00:00Z	ru_RU
dc.date.issued	2018	ru_RU
dc.identifier.citation	Amineva V.R., National perspective as axiological component of the composition art world//XLinguae. - 2018. - Vol.11, Is.2. - P.329-337.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/?p_id=183246	ru_RU
dc.description.abstract	XLinguae	ru_RU
dc.description.abstract	The subject of the study is the axiological content of the Tatar writer A. Eniki works written in the 1950s-1960s: «Who sang?«, «The native Land,« «A copper hand bell.« The art world of these stories is considered as the integrity formed by valuable installations of the author: it opposes to destructive tendencies of the epoch personal and patrimonial memory, responsibility for the land of ancestors, beauty of the native nature, poetic aspects of the people life, his ancient history and great culture, spiritual wealth and wisdom. The conclusion is drawn that the axiological pithiness of works defines their genre and composite structure: the principles of interaction between the epic and lyrical (in story «Who sang?«, «A copper hand bell«), epic and novelistic (in story «The native Land«) tendencies in the narration, the descriptive beginning with logic of a plot development. It is established that the valuable structure of the represented world reveals at the level of the principles an	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	A. Eniki	ru_RU
dc.subject	Tatar literature of the 20th century	ru_RU
dc.subject	value	ru_RU
dc.subject	identity	ru_RU
dc.subject	composition	ru_RU
dc.subject	architectonics	ru_RU
dc.subject	genre	ru_RU
dc.subject	epic	ru_RU
dc.subject	lyrics	ru_RU
dc.subject	symbolization	ru_RU
dc.title	National perspective as axiological component of the composition art world	ru_RU
dc.type	Статьи в зарубежных журналах и сборниках	ru_RU