КФУ. Карточка публикации. Shirieva N.V, Dyganova E.A., Ontology of meaningful sounds in S. Gubaidulina's works (based on the choral cycle “dedication to Marina Tsvetaeva”) //Opcion. - 2018. - Vol.34, Is.85.

RUS

- EN
- 中文
- ES

SHIRIEVA N.V, DYGANOVA E.A., ONTOLOGY OF MEANINGFUL SOUNDS IN S. GUBAIDULINA'S WORKS (BASED ON THE CHORAL CYCLE &LDQUO;DEDICATION TO MARINA TSVETAEVA&RDQUO;) //OPCION. - 2018. - VOL.34, IS.85. - P.1029-1038.

Форма представления

Статьи в зарубежных журналах и сборниках

Год публикации

2018

Язык

английский

Авторы, сотрудники КФУ

Дыганова Елена Александровна, автор

Библиографическое описание на языке оригинала

Shirieva N.V, Dyganova E.A., Ontology of meaningful sounds in S. Gubaidulina's works (based on the choral cycle “dedication to Marina Tsvetaeva”) //Opcion. - 2018. - Vol.34, Is.85. - P.1029-1038.

Аннотация

Innovative search in composition of the 20th and 21st centuries is characterized by the rejection of еру use the established musical means (such as melody, harmony, tonality, form, etc.) in favor of other expressive means. Such means often stimulate authors to introduce the methods of composition and expression that are unrelated to the traditional sound system. This trend is inherent in Sofia Gubaidulina's works. Conceptuality and philosophical content of her works, the “bivalence” of the composer's style, innovations in the sphere of the musical language, make the aspect of the research justified from the position of ontology and mythology.Consistent with this research trajectory, the authors consider the choral cycle “Dedication to Marina Tsvetaeva” through the prism of cosmogonic myth, equating two heteropolar vocal intonation methods (pure and with noise) with the categories of Chaos and Cosmos, inherent in this type of myth.The result of the study was a conclusion about the correlation of the deep plot of Gubaidulina's choral composition based on the dualistic principle of cosmogony with the synergetic systems of self-organization and their basic principle: “order from chaos”.

Ключевые слова

Gubaidulina, music, mythology, ontology, cosmogony, Cosmos, Chaos, natural, cultural.

Название журнала

Opcion

URL

https://www.scopus.com/inward/record.uri?eid=2-s2.0-85058708381&partnerID=40&md5=ac878b49b2ce75ec76038fe75994a51e

Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку

https://repository.kpfu.ru/?p_id=192843

Полная запись метаданных

Поле DC	Значение	Язык
dc.contributor.author	Дыганова Елена Александровна	ru_RU
dc.date.accessioned	2018-01-01T00:00:00Z	ru_RU
dc.date.available	2018-01-01T00:00:00Z	ru_RU
dc.date.issued	2018	ru_RU
dc.identifier.citation	Shirieva N.V, Dyganova E.A., Ontology of meaningful sounds in S. Gubaidulina's works (based on the choral cycle “dedication to Marina Tsvetaeva”) //Opcion. - 2018. - Vol.34, Is.85. - P.1029-1038.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/?p_id=192843	ru_RU
dc.description.abstract	Opcion	ru_RU
dc.description.abstract	Innovative search in composition of the 20th and 21st centuries is characterized by the rejection of еру use the established musical means (such as melody, harmony, tonality, form, etc.) in favor of other expressive means. Such means often stimulate authors to introduce the methods of composition and expression that are unrelated to the traditional sound system. This trend is inherent in Sofia Gubaidulina's works. Conceptuality and philosophical content of her works, the “bivalence” of the composer's style, innovations in the sphere of the musical language, make the aspect of the research justified from the position of ontology and mythology.Consistent with this research trajectory, the authors consider the choral cycle “Dedication to Marina Tsvetaeva” through the prism of cosmogonic myth, equating two heteropolar vocal intonation methods (pure and with noise) with the categories of Chaos and Cosmos, inherent in this type of myth.The result of the study was a conclusion about the correlation of the deep plot of Gubaidulina's choral composition based on the dualistic principle of cosmogony with the synergetic systems of self-organization and their basic principle: “order from chaos”.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	Gubaidulina	ru_RU
dc.subject	music	ru_RU
dc.subject	mythology	ru_RU
dc.subject	ontology	ru_RU
dc.subject	cosmogony	ru_RU
dc.subject	Cosmos	ru_RU
dc.subject	Chaos	ru_RU
dc.subject	natural	ru_RU
dc.subject	cultural.	ru_RU
dc.title	Shirieva N.V, Dyganova E.A., Ontology of meaningful sounds in S. Gubaidulina's works (based on the choral cycle “dedication to Marina Tsvetaeva”) //Opcion. - 2018. - Vol.34, Is.85. - P.1029-1038.	ru_RU
dc.type	Статьи в зарубежных журналах и сборниках	ru_RU