| Форма представления | Статьи в зарубежных журналах и сборниках |
| Год публикации | 2016 |
| Язык | английский |
|
Шамина Вера Борисовна, автор
|
| Библиографическое описание на языке оригинала |
Zueva E., Shamina V., Nesmelova O. Russian and Western productions of “The Merchant of Venice”: some problems of staging / E. Zueva, V. Shamina, O. Nesmelova // The Turkish Online Journal of Design, Art and Communication.- 2016.- November 2016 Special Edition- PP.2415-2420. |
| Аннотация |
Authors turn to the creativity of one of the classics of world literature, to Shakespeare and the problem of his plays stagings in the modern theatre. Authors underline that according the different directors accents “The Merchant of Venice” can be staged in completely new way, facing the actual challenges of modernity. Directors can use different effects to achieve such a result, but the canonic text remains the same. The certain timeline of productions of the XXth century is created and different directors' approaches are shownThe authors attention is also focused on the recent Russian productions of A. Zhitinkin and R. Surua. Both of them are completely different, but still bear some common traits. The authors show how the post-modern theatre can transform and interpret the classical text, enrich it with the modern problems. This research shows how the productions of “The Merchant of Venice” are combined with the problems of antisemitism, intolerance, organized crime, etc. |
| Ключевые слова |
contemporary interpretations of the classics, eternal images, Shakespeare, staging, antisemitism |
| Название журнала |
The Turkish Online Journal of Design, Art and Communication
|
| Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=146581 |
| Файлы ресурса | |
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Полная запись метаданных  |
| Поле DC |
Значение |
Язык |
| dc.contributor.author |
Шамина Вера Борисовна |
ru_RU |
| dc.date.accessioned |
2016-01-01T00:00:00Z |
ru_RU |
| dc.date.available |
2016-01-01T00:00:00Z |
ru_RU |
| dc.date.issued |
2016 |
ru_RU |
| dc.identifier.citation |
Zueva E., Shamina V., Nesmelova O. Russian and Western productions of “The Merchant of Venice”: some problems of staging / E. Zueva, V. Shamina, O. Nesmelova // The Turkish Online Journal of Design, Art and Communication.- 2016.- November 2016 Special Edition- PP.2415-2420. |
ru_RU |
| dc.identifier.uri |
https://repository.kpfu.ru/?p_id=146581 |
ru_RU |
| dc.description.abstract |
The Turkish Online Journal of Design, Art and Communication |
ru_RU |
| dc.description.abstract |
Authors turn to the creativity of one of the classics of world literature, to Shakespeare and the problem of his plays stagings in the modern theatre. Authors underline that according the different directors accents “The Merchant of Venice” can be staged in completely new way, facing the actual challenges of modernity. Directors can use different effects to achieve such a result, but the canonic text remains the same. The certain timeline of productions of the XXth century is created and different directors' approaches are shownThe authors attention is also focused on the recent Russian productions of A. Zhitinkin and R. Surua. Both of them are completely different, but still bear some common traits. The authors show how the post-modern theatre can transform and interpret the classical text, enrich it with the modern problems. This research shows how the productions of “The Merchant of Venice” are combined with the problems of antisemitism, intolerance, organized crime, etc. |
ru_RU |
| dc.language.iso |
ru |
ru_RU |
| dc.subject |
contemporary interpretations of the classics |
ru_RU |
| dc.subject |
eternal images |
ru_RU |
| dc.subject |
Shakespeare |
ru_RU |
| dc.subject |
staging |
ru_RU |
| dc.subject |
antisemitism |
ru_RU |
| dc.title |
RUSSIAN AND WESTERN PRODUCTIONS OF “THE MERCHANT OF VENICE”: SOME PROBLEMS OF STAGING |
ru_RU |
| dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|
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