| Форма представления | Статьи в зарубежных журналах и сборниках |
| Год публикации | 2016 |
| Язык | русский |
|
Закирзянов Альфат Магсумзянович, автор
Хабутдинова Милеуша Мухаметзяновна, автор
|
|
Нуриева Лилия Фаиловна, автор
|
| Библиографическое описание на языке оригинала |
Nurieva Liliya, Khabutdinova Milyausha, Zakirzyanov Alfat B. Brecht on the Stage of Tatar Theatre // International Journal of Humanities and Cultural Studies. -- 2016. - Special Issue
March - B.1896-1902
|
| Аннотация |
INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES |
| Ключевые слова |
German drama, Tatar theater, R. Zagidullin, I. Sakaev, ?Mother Courage?,
?A Respectable Wedding?, ?The Good Person of Szechwan?, reception. |
| Название журнала |
INTERNATIONAL JOURNAL OF HUMANITIES ANDCULTURAL STUDIES
|
| URL |
http://www.ijhcs.com/index.php/ijhcs/index |
| Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=147088 |
Полная запись метаданных  |
| Поле DC |
Значение |
Язык |
| dc.contributor.author |
Закирзянов Альфат Магсумзянович |
ru_RU |
| dc.contributor.author |
Хабутдинова Милеуша Мухаметзяновна |
ru_RU |
| dc.contributor.author |
Нуриева Лилия Фаиловна |
ru_RU |
| dc.date.accessioned |
2016-01-01T00:00:00Z |
ru_RU |
| dc.date.available |
2016-01-01T00:00:00Z |
ru_RU |
| dc.date.issued |
2016 |
ru_RU |
| dc.identifier.citation |
Nurieva Liliya, Khabutdinova Milyausha, Zakirzyanov Alfat B. Brecht on the Stage of Tatar Theatre // International Journal of Humanities and Cultural Studies. -- 2016. - Special Issue
March - B.1896-1902
|
ru_RU |
| dc.identifier.uri |
https://repository.kpfu.ru/?p_id=147088 |
ru_RU |
| dc.description.abstract |
INTERNATIONAL JOURNAL OF HUMANITIES ANDCULTURAL STUDIES |
ru_RU |
| dc.description.abstract |
INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES |
ru_RU |
| dc.description.abstract |
The article deals with the approaches of Tatar theater to learning the heritage of the German
playwright B. Brecht. For a long time it has been thought that the aesthetics of German
playwright is alien to Tatar stage. Kazan theaters were interested in Brecht only in the late
1970s. 1973 was the date of reference of creative experiments with Brecht's heritage on
Russian stage of Kazan. Tatar theater came to studying German dramatist only three decades
later. We are talking about the plays “Mother Courage” (directed by Rachid Zagidullin)
(2000), “A Respectable Wedding” (directed by Iskander Sakayev) (2013), “The Good Person
of Szechwan” (directed by Iskander Sakayev) (2015). The work reveals the dynamics of this
process and the key trends on the basis of comparison of three performances from the
repertoire of the Tatar performances. If in 2000 Tatar theater in Kazan considered Brecht's
plays through the prism of epic tradition inherent in Tatar folklore, then a decade later in |
ru_RU |
| dc.language.iso |
ru |
ru_RU |
| dc.subject |
German drama |
ru_RU |
| dc.subject |
Tatar theater |
ru_RU |
| dc.subject |
R. Zagidullin |
ru_RU |
| dc.subject |
I. Sakaev |
ru_RU |
| dc.subject |
?Mother Courage? |
ru_RU |
| dc.subject |
?A Respectable Wedding? |
ru_RU |
| dc.subject |
?The Good Person of Szechwan? |
ru_RU |
| dc.subject |
reception. |
ru_RU |
| dc.title |
Brecht on the Stage of Tatar Theatre |
ru_RU |
| dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|
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