Форма представления | Статьи в зарубежных журналах и сборниках |
Год публикации | 2016 |
Язык | английский |
|
Зуева Екатерина Владимировна, автор
Коновалова Жанна Георгиевна, автор
Шевченко Елена Николаевна, автор
|
Библиографическое описание на языке оригинала |
Zueva E, Shevchenko E, Konovalova Z., Verbatim: A new technique in contemporary drama//Journal of Language and Literature. - 2016. - Vol.7, Is.2. - P.262-265. |
Аннотация |
This article analyzes verbatim as a new technique in contemporary drama. It gives historical background for developing of verbatim in Russia, and presents a brief review of verbatim pieces in modern Russian theater. Verbatim in Russia created an opportunity to break with classical repertoire theater and traditional means of reflecting the reality. Giving voice to the marginal, verbatim, to certain extent, conducted the mission of social therapy, paving the way to open discussion of the most topical issues. The majority of verbatim texts cannot be reviewed stand-alone without methods of their adaptation. The main generic principle of docudrama is the incorporation of genuine document into the dramatic text in order to substitute fictional a plot by real events. Verbatim plays are often mono-plays or plays with the limited amount of characters. Verbatim aroused indisputable interest and inspired Russian playwrights to create plays of various genres and topics. |
Ключевые слова |
verbatim, Russian theater, documentary drama, classical repertoire theater |
Название журнала |
JOURNAL OF LANGUAGE AND LITERATURE
|
URL |
https://www.scopus.com/inward/record.url?eid=2-s2.0-85003601674&partnerID=40&md5=2cdb90bcc1cb5c6adc05f5423e0193d8 |
Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=149548 |
Полная запись метаданных |
Поле DC |
Значение |
Язык |
dc.contributor.author |
Зуева Екатерина Владимировна |
ru_RU |
dc.contributor.author |
Коновалова Жанна Георгиевна |
ru_RU |
dc.contributor.author |
Шевченко Елена Николаевна |
ru_RU |
dc.date.accessioned |
2016-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2016-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2016 |
ru_RU |
dc.identifier.citation |
Zueva E, Shevchenko E, Konovalova Z., Verbatim: A new technique in contemporary drama//Journal of Language and Literature. - 2016. - Vol.7, Is.2. - P.262-265. |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/?p_id=149548 |
ru_RU |
dc.description.abstract |
JOURNAL OF LANGUAGE AND LITERATURE |
ru_RU |
dc.description.abstract |
This article analyzes verbatim as a new technique in contemporary drama. It gives historical background for developing of verbatim in Russia, and presents a brief review of verbatim pieces in modern Russian theater. Verbatim in Russia created an opportunity to break with classical repertoire theater and traditional means of reflecting the reality. Giving voice to the marginal, verbatim, to certain extent, conducted the mission of social therapy, paving the way to open discussion of the most topical issues. The majority of verbatim texts cannot be reviewed stand-alone without methods of their adaptation. The main generic principle of docudrama is the incorporation of genuine document into the dramatic text in order to substitute fictional a plot by real events. Verbatim plays are often mono-plays or plays with the limited amount of characters. Verbatim aroused indisputable interest and inspired Russian playwrights to create plays of various genres and topics. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
verbatim |
ru_RU |
dc.subject |
Russian theater |
ru_RU |
dc.subject |
documentary drama |
ru_RU |
dc.subject |
classical repertoire theater |
ru_RU |
dc.title |
Verbatim: A new technique in contemporary drama |
ru_RU |
dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|