КФУ. Карточка публикации. THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR

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THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR

Форма представления

Статьи в зарубежных журналах и сборниках

Год публикации

2016

Язык

английский

Авторы, сотрудники КФУ

Гайнуллина Гульфия Расилевна, автор

Зиннатуллина Зульфия Рафисовна, автор

Хабутдинова Милеуша Мухаметзяновна, автор

Библиографическое описание на языке оригинала

Zinnatullina Zulfiya, Khabutdinova Milyausha, Gaynullina Gulfiya, THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR//TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION. - 2016. - Vol.6, Is.. - P.3454-3459.

Аннотация

The article deals with originality of stage director's conception in Tatar performances «Hamlet« (stage director Oleg Khanov, 2003) and «HAMLET. Scenes« (R.G. Zagidullin, 2014). It generalizes the comments and notices of theatre experts published in regional (the Republic of Tatarstan) and central press (Moscow). The articles from the magazines «Strastnoy bul'var«, «Stsena«, «Tatarica«, (Tatarstan), newspapers «Biznes-onlain«, «Respublika Tatarstan«, «Izvestiya Tatarstana« are analyzed. The material on the history of translations of the play «Hamlet« by Shakespeare into the Tatar language has been presented. The key tendencies of the formation of the phenomenon of the Tatar «hamletism« has been elicited. It is concluded on the basis of comparative analysis that the Tatar theatre sees into «Hamlet« through the prism of psychological theatre. The material in translation becomes a field of view for originative experiment with a form.

Ключевые слова

Tatar theatre; Shakespeare; "Hamlet"; R. Zagidullin; O. Khanov; G. Rakhim; N. Isenbet; Russian press

Название журнала

TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION

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https://repository.kpfu.ru/?p_id=155390

Полная запись метаданных

Поле DC	Значение	Язык
dc.contributor.author	Гайнуллина Гульфия Расилевна	ru_RU
dc.contributor.author	Зиннатуллина Зульфия Рафисовна	ru_RU
dc.contributor.author	Хабутдинова Милеуша Мухаметзяновна	ru_RU
dc.date.accessioned	2016-01-01T00:00:00Z	ru_RU
dc.date.available	2016-01-01T00:00:00Z	ru_RU
dc.date.issued	2016	ru_RU
dc.identifier.citation	Zinnatullina Zulfiya, Khabutdinova Milyausha, Gaynullina Gulfiya, THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR//TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION. - 2016. - Vol.6, Is.. - P.3454-3459.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/?p_id=155390	ru_RU
dc.description.abstract	TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION	ru_RU
dc.description.abstract	The article deals with originality of stage director's conception in Tatar performances «Hamlet« (stage director Oleg Khanov, 2003) and «HAMLET. Scenes« (R.G. Zagidullin, 2014). It generalizes the comments and notices of theatre experts published in regional (the Republic of Tatarstan) and central press (Moscow). The articles from the magazines «Strastnoy bul'var«, «Stsena«, «Tatarica«, (Tatarstan), newspapers «Biznes-onlain«, «Respublika Tatarstan«, «Izvestiya Tatarstana« are analyzed. The material on the history of translations of the play «Hamlet« by Shakespeare into the Tatar language has been presented. The key tendencies of the formation of the phenomenon of the Tatar «hamletism« has been elicited. It is concluded on the basis of comparative analysis that the Tatar theatre sees into «Hamlet« through the prism of psychological theatre. The material in translation becomes a field of view for originative experiment with a form.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject		ru_RU
dc.title	THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR	ru_RU
dc.type	Статьи в зарубежных журналах и сборниках	ru_RU