Форма представления | Статьи в зарубежных журналах и сборниках |
Год публикации | 2017 |
Язык | английский |
|
Дыганова Елена Александровна, автор
|
Библиографическое описание на языке оригинала |
Shirieva N.V., Dyganova E.A. East-West Dialogue in Sophia Gubaidulina's Work “Tatar Folklore Inspirations”: on the Problem of Artistic Bilingualism /N.V.Shirieva, E.A.Dyganova //Rupkatha Journal on Interdisciplinary Studies in Humanities. - Vol. IX.- N 2,PP. 273-281. - 2017 |
Аннотация |
Sofia Gubaidulina, a living classic of modern music and one of the most popular composers of our
time, is in constant search of both new timbres and spiritual truths. Born in Kazan (Russia), at the
intersection of Tatar and Russian cultures as well as Islam and Christianity, she was naturally
influenced by all of them, which is best reflected in Gubaidulina's continual interest in the wide
range of expression means offered by Oriental music. This phenomenon led to a wide discussion
among musicologists on a synthesis of Western and Oriental cultural traditions in Gubaidulina's
music. However, Sofia Gubaidulina's music based on the pentatonic scale is one of the most
poorly studied areas in her artistic legacy. |
Ключевые слова |
domra, intertextuality, European, pentatonism, polystylistics, synthesis, Tatar music,
artistic dialogue, ethnic. |
Название журнала |
Rupkatha Journal on Interdisciplinary Studies in Humanities
|
URL |
http://rupkatha.com/V9/n2/v9n228.pdf |
Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=162491 |
Полная запись метаданных |
Поле DC |
Значение |
Язык |
dc.contributor.author |
Дыганова Елена Александровна |
ru_RU |
dc.date.accessioned |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2017 |
ru_RU |
dc.identifier.citation |
Shirieva N.V., Dyganova E.A. East-West Dialogue in Sophia Gubaidulina's Work “Tatar Folklore Inspirations”: on the Problem of Artistic Bilingualism /N.V.Shirieva, E.A.Dyganova //Rupkatha Journal on Interdisciplinary Studies in Humanities. - Vol. IX.- N 2,PP. 273-281. - 2017 |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/?p_id=162491 |
ru_RU |
dc.description.abstract |
Rupkatha Journal on Interdisciplinary Studies in Humanities |
ru_RU |
dc.description.abstract |
Sofia Gubaidulina, a living classic of modern music and one of the most popular composers of our
time, is in constant search of both new timbres and spiritual truths. Born in Kazan (Russia), at the
intersection of Tatar and Russian cultures as well as Islam and Christianity, she was naturally
influenced by all of them, which is best reflected in Gubaidulina's continual interest in the wide
range of expression means offered by Oriental music. This phenomenon led to a wide discussion
among musicologists on a synthesis of Western and Oriental cultural traditions in Gubaidulina's
music. However, Sofia Gubaidulina's music based on the pentatonic scale is one of the most
poorly studied areas in her artistic legacy. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
domra |
ru_RU |
dc.subject |
intertextuality |
ru_RU |
dc.subject |
European |
ru_RU |
dc.subject |
pentatonism |
ru_RU |
dc.subject |
polystylistics |
ru_RU |
dc.subject |
synthesis |
ru_RU |
dc.subject |
Tatar music |
ru_RU |
dc.subject |
artistic dialogue |
ru_RU |
dc.subject |
ethnic. |
ru_RU |
dc.title |
Shirieva N.V., Dyganova E.A. East-West Dialogue in Sophia Gubaidulina's Work “Tatar Folklore Inspirations”: on the Problem of Artistic Bilingualism /N.V.Shirieva, E.A.Dyganova //Rupkatha Journal on Interdisciplinary Studies in Humanities. - Vol. IX.- N 2,PP. 273-281. - 2017 |
ru_RU |
dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|