Казанский (Приволжский) федеральный университет, КФУ
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SHIRIEVA N.V., DYGANOVA E.A. EAST-WEST DIALOGUE IN SOPHIA GUBAIDULINA'S WORK “TATAR FOLKLORE INSPIRATIONS”: ON THE PROBLEM OF ARTISTIC BILINGUALISM /N.V.SHIRIEVA, E.A.DYGANOVA //RUPKATHA JOURNAL ON INTERDISCIPLINARY STUDIES IN HUMANITIES. - VOL. IX.- N 2,PP. 273-281. - 2017
Форма представленияСтатьи в зарубежных журналах и сборниках
Год публикации2017
Языканглийский
  • Дыганова Елена Александровна, автор
  • Библиографическое описание на языке оригинала Shirieva N.V., Dyganova E.A. East-West Dialogue in Sophia Gubaidulina's Work “Tatar Folklore Inspirations”: on the Problem of Artistic Bilingualism /N.V.Shirieva, E.A.Dyganova //Rupkatha Journal on Interdisciplinary Studies in Humanities. - Vol. IX.- N 2,PP. 273-281. - 2017
    Аннотация Sofia Gubaidulina, a living classic of modern music and one of the most popular composers of our time, is in constant search of both new timbres and spiritual truths. Born in Kazan (Russia), at the intersection of Tatar and Russian cultures as well as Islam and Christianity, she was naturally influenced by all of them, which is best reflected in Gubaidulina's continual interest in the wide range of expression means offered by Oriental music. This phenomenon led to a wide discussion among musicologists on a synthesis of Western and Oriental cultural traditions in Gubaidulina's music. However, Sofia Gubaidulina's music based on the pentatonic scale is one of the most poorly studied areas in her artistic legacy.
    Ключевые слова domra, intertextuality, European, pentatonism, polystylistics, synthesis, Tatar music, artistic dialogue, ethnic.
    Название журнала Rupkatha Journal on Interdisciplinary Studies in Humanities
    URL http://rupkatha.com/V9/n2/v9n228.pdf
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