КФУ. Карточка публикации. S?awomir Mro?ek at the Tatar stage: The metamorphoses of Polish stage

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S?AWOMIR MRO?EK AT THE TATAR STAGE: THE METAMORPHOSES OF POLISH STAGE

Форма представления

Статьи в зарубежных журналах и сборниках

Год публикации

2017

Язык

английский

Авторы, сотрудники КФУ

Мухаметшина Резеда Фаилевна, автор

Хабутдинова Милеуша Мухаметзяновна, автор

Библиографическое описание на языке оригинала

Khabutdinova M, Mukhametshina R., Slawomir Mrogek at the Tatar stage: The metamorphoses of Polish stage//Przeglad Wschodnioeuropejski. - 2017. - Vol.8, Is.2. - P.309-318.

Аннотация

The article analyzes the stage interpretation of the play by S. Mrożek on the scene of Tatar theatre. The first night of the play “Shashkan Babay” (“The Crazy Grandfather”) was held on February 10, 2016, on the stage of Karim Tinchurin Drama and Comedy Theater in Kazan. It was the first staging of Sławomir Mrożek's in the Tatar language. The paper summarizes the material on the history of the Mrożek “invasion” into Russia. The specifics of the perception of the Polish text by the translator Shamil Farkhetdinov, the director and stage designer Rashid Zagidullin have been identified. The specificity of the scenic translation of S. Mrożek's play into the Tatar language is revealed. In the analysis of the Tatar translation, cases of complete and incomplete equivalence are analyzed; the character of transformations of the author's intention is disclosed. It is proved that the performance “Shashkan Babay” continues the best traditions of the Polish and Russian theatres.

Ключевые слова

drama, absurd theatre, Sławomir Mrożek, the Tatar theatre, Rashid Zagidullin

Название журнала

Przeglad Wschodnioeuropejski

URL

https://www.scopus.com/inward/record.uri?eid=2-s2.0-85034455409&partnerID=40&md5=e1afd1e7a89b40e69f60417373a943f0

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https://repository.kpfu.ru/?p_id=173684

Полная запись метаданных

Поле DC	Значение	Язык
dc.contributor.author	Мухаметшина Резеда Фаилевна	ru_RU
dc.contributor.author	Хабутдинова Милеуша Мухаметзяновна	ru_RU
dc.date.accessioned	2017-01-01T00:00:00Z	ru_RU
dc.date.available	2017-01-01T00:00:00Z	ru_RU
dc.date.issued	2017	ru_RU
dc.identifier.citation	Khabutdinova M, Mukhametshina R., Slawomir Mrogek at the Tatar stage: The metamorphoses of Polish stage//Przeglad Wschodnioeuropejski. - 2017. - Vol.8, Is.2. - P.309-318.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/?p_id=173684	ru_RU
dc.description.abstract	Przeglad Wschodnioeuropejski	ru_RU
dc.description.abstract	The article analyzes the stage interpretation of the play by S. Mrożek on the scene of Tatar theatre. The first night of the play “Shashkan Babay” (“The Crazy Grandfather”) was held on February 10, 2016, on the stage of Karim Tinchurin Drama and Comedy Theater in Kazan. It was the first staging of Sławomir Mrożek's in the Tatar language. The paper summarizes the material on the history of the Mrożek “invasion” into Russia. The specifics of the perception of the Polish text by the translator Shamil Farkhetdinov, the director and stage designer Rashid Zagidullin have been identified. The specificity of the scenic translation of S. Mrożek's play into the Tatar language is revealed. In the analysis of the Tatar translation, cases of complete and incomplete equivalence are analyzed; the character of transformations of the author's intention is disclosed. It is proved that the performance “Shashkan Babay” continues the best traditions of the Polish and Russian theatres.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	drama	ru_RU
dc.subject	absurd theatre	ru_RU
dc.subject	Sławomir Mrożek	ru_RU
dc.subject	the Tatar theatre	ru_RU
dc.subject	Rashid Zagidullin	ru_RU
dc.title	S?awomir Mro?ek at the Tatar stage: The metamorphoses of Polish stage	ru_RU
dc.type	Статьи в зарубежных журналах и сборниках	ru_RU