| Форма представления | Статьи в зарубежных журналах и сборниках |
| Год публикации | 2017 |
| Язык | английский |
|
Лисенко Анжела Рафизовна, автор
Шевченко Елена Николаевна, автор
|
| Библиографическое описание на языке оригинала |
Lisenko Anzhela R., Shevchenko Elena N., THE PERFORMATIVE NATURE OF MODERN THEATER (AS EXEMPLIFIED BY THE PERFORMANCES OF THE 'RIMINI PROTOKOLL' GROUP AND THE PROJECTS OF CHRISTOPH SCHLINGENSIEF)//AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH. - 2017. - Vol.7, Is.2. - P.210-212. |
| Аннотация |
Аbstract: The authors of the present article appeal to the phenomenon of performative
nature in modern German theatre, which, according to many scholars, is its conceptual
feature today. The article analyzes the theatrical projects of Christoph Shliengesief and
“Rimini Protokoll” group. They are the indicative phenomena of the European stage of
the first ten years of the 20th century. Schliengesief's creative activity is earlier than
Rimini Protokoll's, but their projects have fundamental affinity. Their works have
syncretic nature. The scene of action is not only classical stage but also different sites
of urban environment (museum, street, park, container, the body of the truck).
Alongside with the professional actors, Schliengesief and than Rimini Protokoll will
have invited the amateurs, “the experts of everyday life”, into their stage
performances. This enables to enforce a provocative effect of the performance and to
make a participant spectator look at a raised problem from with |
| Ключевые слова |
German literature, theatre, modern German drama, Schlingensief, Rimini
Protokoll, performance, post-dramatic theatre, post-modernism, political theatre. |
| Название журнала |
AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH
|
| URL |
http://www.magnanimitas.cz/ADALTA/070202/papers/60.pdf |
| Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=173841 |
Полная запись метаданных  |
| Поле DC |
Значение |
Язык |
| dc.contributor.author |
Лисенко Анжела Рафизовна |
ru_RU |
| dc.contributor.author |
Шевченко Елена Николаевна |
ru_RU |
| dc.date.accessioned |
2017-01-01T00:00:00Z |
ru_RU |
| dc.date.available |
2017-01-01T00:00:00Z |
ru_RU |
| dc.date.issued |
2017 |
ru_RU |
| dc.identifier.citation |
Lisenko Anzhela R., Shevchenko Elena N., THE PERFORMATIVE NATURE OF MODERN THEATER (AS EXEMPLIFIED BY THE PERFORMANCES OF THE 'RIMINI PROTOKOLL' GROUP AND THE PROJECTS OF CHRISTOPH SCHLINGENSIEF)//AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH. - 2017. - Vol.7, Is.2. - P.210-212. |
ru_RU |
| dc.identifier.uri |
https://repository.kpfu.ru/?p_id=173841 |
ru_RU |
| dc.description.abstract |
AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH |
ru_RU |
| dc.description.abstract |
Аbstract: The authors of the present article appeal to the phenomenon of performative
nature in modern German theatre, which, according to many scholars, is its conceptual
feature today. The article analyzes the theatrical projects of Christoph Shliengesief and
“Rimini Protokoll” group. They are the indicative phenomena of the European stage of
the first ten years of the 20th century. Schliengesief's creative activity is earlier than
Rimini Protokoll's, but their projects have fundamental affinity. Their works have
syncretic nature. The scene of action is not only classical stage but also different sites
of urban environment (museum, street, park, container, the body of the truck).
Alongside with the professional actors, Schliengesief and than Rimini Protokoll will
have invited the amateurs, “the experts of everyday life”, into their stage
performances. This enables to enforce a provocative effect of the performance and to
make a participant spectator look at a raised problem from with |
ru_RU |
| dc.language.iso |
ru |
ru_RU |
| dc.subject |
German literature |
ru_RU |
| dc.subject |
theatre |
ru_RU |
| dc.subject |
modern German drama |
ru_RU |
| dc.subject |
Schlingensief |
ru_RU |
| dc.subject |
Rimini
Protokoll |
ru_RU |
| dc.subject |
performance |
ru_RU |
| dc.subject |
post-dramatic theatre |
ru_RU |
| dc.subject |
post-modernism |
ru_RU |
| dc.subject |
political theatre. |
ru_RU |
| dc.title |
THE PERFORMATIVE NATURE OF MODERN THEATER (AS EXEMPLIFIED BY THE PERFORMANCES OF THE 'RIMINI PROTOKOLL' GROUP AND THE PROJECTS OF CHRISTOPH SCHLINGENSIEF) |
ru_RU |
| dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|
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