Форма представления | Статьи в зарубежных журналах и сборниках |
Год публикации | 2017 |
Язык | английский |
|
Нигматуллина Алсу Мансуровна, автор
|
Библиографическое описание на языке оригинала |
Grebenshcikova Kseniya V., Nigmatullina Alsu M., Turkish Postmodernism through the Second Wave Paradigm: The Example of Creative Work by Hasan Ali Toptas and Perihan Magden//TARIH KULTUR VE SANAT ARASTIRMALARI DERGISI-JOURNAL OF HISTORY CULTURE AND ART RESEARCH. - 2017. - Vol.6, Is.5. - P.422-426. |
Аннотация |
Journal of History Culture and Art Research |
Ключевые слова |
Turkey, Postmodernism, Narrative, Intertextuality, Poetic style. |
Название журнала |
Journal of History Culture and Art Research
|
URL |
http://dx.doi.org/10.7596/taksad.v6i5.1267 |
Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=175151 |
Полная запись метаданных |
Поле DC |
Значение |
Язык |
dc.contributor.author |
Нигматуллина Алсу Мансуровна |
ru_RU |
dc.date.accessioned |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2017 |
ru_RU |
dc.identifier.citation |
Grebenshcikova Kseniya V., Nigmatullina Alsu M., Turkish Postmodernism through the Second Wave Paradigm: The Example of Creative Work by Hasan Ali Toptas and Perihan Magden//TARIH KULTUR VE SANAT ARASTIRMALARI DERGISI-JOURNAL OF HISTORY CULTURE AND ART RESEARCH. - 2017. - Vol.6, Is.5. - P.422-426. |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/?p_id=175151 |
ru_RU |
dc.description.abstract |
Journal of History Culture and Art Research |
ru_RU |
dc.description.abstract |
Journal of History Culture and Art Research |
ru_RU |
dc.description.abstract |
This paper describes the aspects of Turkish postmodernism of the «second wave«, which is justified by an insignificant number of theoretical works and inadequate elaboration of studies concerning the representatives of Turkish postmodernism «second wave«. The exception is represented by the works of Russian turkologists M.M. Repenkova and O.V. Kareva, who consider the features of the postmodern paradigm in their studies within the novelistics of the leading representatives of the Turkish postmodernism «second wave«. The representatives of the «second wave« (Hasan Ali Toptaş, İhsan Oktay Anar, Perihan Mağden, Kürşat Başar, etc.) were not the object of close research before, and therefore the consideration of their creativity as the next stage in the development of Turkish postmodernism is relevant. The «second wave« of postmodernism is characterized by the appeal to the literature of symbolic modeling in 1990s. During this period, the literature of postmodernism develops into a powerful |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
Turkey |
ru_RU |
dc.subject |
Postmodernism |
ru_RU |
dc.subject |
Narrative |
ru_RU |
dc.subject |
Intertextuality |
ru_RU |
dc.subject |
Poetic style. |
ru_RU |
dc.title |
Turkish Postmodernism through the Second Wave Paradigm: The Example of Creative Work by Hasan Ali Toptas and Perihan Magden. |
ru_RU |
dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|