| Форма представления | Статьи в зарубежных журналах и сборниках |
| Год публикации | 2018 |
| Язык | русский |
|
Ахметзянова Лиана Михайловна, автор
Гилазетдинова Гелиня Хайретдиновна, автор
|
| Библиографическое описание на языке оригинала |
Akhmetzyanova L.M., Gilazetdinova G.Kh. Lexico-semantic and linguo-stylistical analysis of A. Vvedensky's and D. Kharms' art texts // XLinguae. – 2018. – Volume 11, Issue 2. – Рр. 455–470. ISSN 1337-8384, eISSN 2453-711X. |
| Аннотация |
The article is devoted to the linguistic analysis of art structures of two avant-garde writers. The general category of texts is taken as a basis – the category of absurdity often referred to as «boffinry.» Notwithstanding the traits of similarity, the ways of realization of an art discourse differ, for example, A. Vvedensky has a dominating principle of «semantic nonsense,« as well as D. Kharms – «situational nonsense« when there is either a collision of meanings or collision of situations. As a result, it is possible to speak about a conscious asemantism and an art agrammatism in the texts devoted to realize, first of all, the de-constructive function of language. Thus all the elements of standard communication are involved in skillful manipulations by Vvedensky and Kharms. |
| Ключевые слова |
semantics, art absurdity, communication violation, language experiment, function of the nomination. |
| Название журнала |
XLinguae
|
| URL |
http://www.xlinguae.eu/2018_11_02_37.html |
| Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=180264 |
Полная запись метаданных  |
| Поле DC |
Значение |
Язык |
| dc.contributor.author |
Ахметзянова Лиана Михайловна |
ru_RU |
| dc.contributor.author |
Гилазетдинова Гелиня Хайретдиновна |
ru_RU |
| dc.date.accessioned |
2018-01-01T00:00:00Z |
ru_RU |
| dc.date.available |
2018-01-01T00:00:00Z |
ru_RU |
| dc.date.issued |
2018 |
ru_RU |
| dc.identifier.citation |
Akhmetzyanova L.M., Gilazetdinova G.Kh. Lexico-semantic and linguo-stylistical analysis of A. Vvedensky's and D. Kharms' art texts // XLinguae. – 2018. – Volume 11, Issue 2. – Рр. 455–470. ISSN 1337-8384, eISSN 2453-711X. |
ru_RU |
| dc.identifier.uri |
https://repository.kpfu.ru/?p_id=180264 |
ru_RU |
| dc.description.abstract |
XLinguae |
ru_RU |
| dc.description.abstract |
The article is devoted to the linguistic analysis of art structures of two avant-garde writers. The general category of texts is taken as a basis – the category of absurdity often referred to as «boffinry.» Notwithstanding the traits of similarity, the ways of realization of an art discourse differ, for example, A. Vvedensky has a dominating principle of «semantic nonsense,« as well as D. Kharms – «situational nonsense« when there is either a collision of meanings or collision of situations. As a result, it is possible to speak about a conscious asemantism and an art agrammatism in the texts devoted to realize, first of all, the de-constructive function of language. Thus all the elements of standard communication are involved in skillful manipulations by Vvedensky and Kharms. |
ru_RU |
| dc.language.iso |
ru |
ru_RU |
| dc.subject |
semantics |
ru_RU |
| dc.subject |
art absurdity |
ru_RU |
| dc.subject |
communication violation |
ru_RU |
| dc.subject |
language experiment |
ru_RU |
| dc.subject |
function of the nomination. |
ru_RU |
| dc.title |
Lexico-semantic and linguo-stylistical analysis of A. Vvedensky's and D. Kharms' art texts. |
ru_RU |
| dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|
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