Форма представления | Статьи в зарубежных журналах и сборниках |
Год публикации | 2018 |
Язык | английский |
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Дыганова Елена Александровна, автор
|
|
Шириева Надежда , автор
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Библиографическое описание на языке оригинала |
Shirieva N.V., Dyganova E.A. Ontology of Meaningful Sounds in S. Gubaidulina's Works (based on the choral cycle “Dedication to Marina Tsvetaeva”) / N. V. Shirieva, E.A.Dyganova //Opción, Año 34, No. 85 (2018) - P. 1029-1038. |
Аннотация |
The innovative search in the composition of the XX and XXI centuries is
summarized in the rejection of the established musical means (like melody,
harmony, tonality, form, etc.) in favor of other expressive means. Medium
stories often stimulate authors to methods of composition and expression that
are not related to the traditional sound system. This tendency is inherent in the
works of Sofia Gubaidulina. The conceptuality and philosophical content of
his works, the «bivalence« of the composer's style, the innovations in the
sphere of musical language, the aspect of research is justified from the
position of ontology and mythology. |
Ключевые слова |
Gubaidulina, music, mythology, ontology, cosmogony, Cosmos,
Chaos, natural, cultural. |
Название журнала |
Opción
|
URL |
http://www.produccioncientificaluz.org/index.php/opcion/article/view/24054 |
Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=190241 |
Полная запись метаданных |
Поле DC |
Значение |
Язык |
dc.contributor.author |
Дыганова Елена Александровна |
ru_RU |
dc.contributor.author |
Шириева Надежда |
ru_RU |
dc.date.accessioned |
2018-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2018-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2018 |
ru_RU |
dc.identifier.citation |
Shirieva N.V., Dyganova E.A. Ontology of Meaningful Sounds in S. Gubaidulina's Works (based on the choral cycle “Dedication to Marina Tsvetaeva”) / N. V. Shirieva, E.A.Dyganova //Opción, Año 34, No. 85 (2018) - P. 1029-1038. |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/?p_id=190241 |
ru_RU |
dc.description.abstract |
Opción |
ru_RU |
dc.description.abstract |
The innovative search in the composition of the XX and XXI centuries is
summarized in the rejection of the established musical means (like melody,
harmony, tonality, form, etc.) in favor of other expressive means. Medium
stories often stimulate authors to methods of composition and expression that
are not related to the traditional sound system. This tendency is inherent in the
works of Sofia Gubaidulina. The conceptuality and philosophical content of
his works, the «bivalence« of the composer's style, the innovations in the
sphere of musical language, the aspect of research is justified from the
position of ontology and mythology. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
Gubaidulina |
ru_RU |
dc.subject |
music |
ru_RU |
dc.subject |
mythology |
ru_RU |
dc.subject |
ontology |
ru_RU |
dc.subject |
cosmogony |
ru_RU |
dc.subject |
Cosmos |
ru_RU |
dc.subject |
Chaos |
ru_RU |
dc.subject |
natural |
ru_RU |
dc.subject |
cultural. |
ru_RU |
dc.title |
Shirieva N.V., Dyganova E.A. Ontology of Meaningful Sounds in S. Gubaidulina's Works (based on the choral cycle “Dedication to Marina Tsvetaeva”) / N. V. Shirieva, E.A.Dyganova //Opción, Año 34, No. 85 (2018) - P. 1029-1038. |
ru_RU |
dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|