КФУ. Карточка публикации. MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA

КАЗАНСКИЙ
ФЕДЕРАЛЬНЫЙ УНИВЕРСИТЕТ

RUS

- EN
- 中文
- ES

MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA

Форма представления

Статьи в зарубежных журналах и сборниках

Год публикации

2019

Язык

английский

Авторы, сотрудники КФУ

Акбарова Гульназ Наилевна, автор

Дыганова Елена Александровна, автор

Библиографическое описание на языке оригинала

Akbarova Gulnaz N., Dyganova Elena A., Khadeeva Elena N., MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA//TURISMO-ESTUDOS E PRATICAS. - 2019. - Vol.2, P.1-6

Аннотация

The development of Tatar professional music in the late XX and early XXI centuries is on the way to the revival of traditional Tatar-Muslim art. The “musical restoration” of religious andartistic traditions of the Tatar-Muslim culture, including traditions perceived from Sufism, becomes the artistic and meaningful task of the Tatar composers. A vivid example of this is the work of Masguda Shamsutdinova (1955). The national factor and historical context have a strong influence on the composer's mentality, on his thinking, which is organically reflected in his music.An analysis of art history and composer creativity allowed the article authors to reveal that M. Shamsutdinova embodies his conceptual ideas by combining the traditions of ethnic music with the constructive laws of Western European art.The scientific article presents the results of a musical-theoretical analysis of the oratorio by M. Shamsutdinova “The Tragedy of the Sons of theEarth” on the text of the author's myth of the same name by the Tatar poet and playwright Hadi Taktash (1901-1931), created in the tradition of the genre of ancient tragedy. The authors of the article consistently presented the musical characteristics of 15 parts of the oratorio.The embodiment of the deep philosophical meaning of a literary text in a musical composition using traditional and modern means of the musical language allows us to rank this composition as one of the most significant in the composer's work.

Ключевые слова

Masgud Shamutdinova, Hadi Taktash, ?The Tragedy of the Sons of the Earth?, oratorio, Tatar composer music.

Название журнала

TURISMO-ESTUDOS E PRATICAS

URL

http://natal.uern.br/periodicos/index.php/RTEP/article/view/285/224

Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку

https://repository.kpfu.ru/?p_id=221378

Полная запись метаданных

Поле DC	Значение	Язык
dc.contributor.author	Акбарова Гульназ Наилевна	ru_RU
dc.contributor.author	Дыганова Елена Александровна	ru_RU
dc.date.accessioned	2019-01-01T00:00:00Z	ru_RU
dc.date.available	2019-01-01T00:00:00Z	ru_RU
dc.date.issued	2019	ru_RU
dc.identifier.citation	Akbarova Gulnaz N., Dyganova Elena A., Khadeeva Elena N., MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA//TURISMO-ESTUDOS E PRATICAS. - 2019. - Vol.2, P.1-6	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/?p_id=221378	ru_RU
dc.description.abstract	TURISMO-ESTUDOS E PRATICAS	ru_RU
dc.description.abstract	The development of Tatar professional music in the late XX and early XXI centuries is on the way to the revival of traditional Tatar-Muslim art. The “musical restoration” of religious andartistic traditions of the Tatar-Muslim culture, including traditions perceived from Sufism, becomes the artistic and meaningful task of the Tatar composers. A vivid example of this is the work of Masguda Shamsutdinova (1955). The national factor and historical context have a strong influence on the composer's mentality, on his thinking, which is organically reflected in his music.An analysis of art history and composer creativity allowed the article authors to reveal that M. Shamsutdinova embodies his conceptual ideas by combining the traditions of ethnic music with the constructive laws of Western European art.The scientific article presents the results of a musical-theoretical analysis of the oratorio by M. Shamsutdinova “The Tragedy of the Sons of theEarth” on the text of the author's myth of the same name by the Tatar poet and playwright Hadi Taktash (1901-1931), created in the tradition of the genre of ancient tragedy. The authors of the article consistently presented the musical characteristics of 15 parts of the oratorio.The embodiment of the deep philosophical meaning of a literary text in a musical composition using traditional and modern means of the musical language allows us to rank this composition as one of the most significant in the composer's work.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	Masgud Shamutdinova	ru_RU
dc.subject	Hadi Taktash	ru_RU
dc.subject	?The Tragedy of the Sons of the Earth?	ru_RU
dc.subject	oratorio	ru_RU
dc.subject	Tatar composer music.	ru_RU
dc.title	MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA	ru_RU
dc.type	Статьи в зарубежных журналах и сборниках	ru_RU