Форма представления | Статьи в зарубежных журналах и сборниках |
Год публикации | 2020 |
Язык | английский |
|
Крылов Вячеслав Николаевич, автор
|
Библиографическое описание на языке оригинала |
Steven Gabriel Nussbaum, Krylov Viacheslav Nikolaevich, Mikhailova Maria Viktorovna, PARADOXES OF PERSONALITY IN THE PAGES OF GEORGII EFRON'S DIARY//REVISTA INCLUSIONES. - 2019. - Vol.6, Is.. - P.772-778. |
Аннотация |
This article examines the image of the author in the diaries of Georgii Efron, the son of Marina Tsvetaeva. As this image is created, it becomes clear which sources form the “poetics of alienation,” dominant in the structure of the authorial ego, within the diary. The goal of the present discussion is to show that a large part of Efron's (or Mur, as he was called at home) diary was really part of a strategy for creating an image of the Other in the process of his fixation on lived experience. In Efron's diary, what appears is an orientation towards literariness, the position of an estranged observer, an original kind of “dandyism,” a view of Russian life that seems external, and an opposition between oneself and other people. |
Ключевые слова |
diary, Georgii Efron, personality, alienation, isolation, dandyism, contempt |
Название журнала |
Revista Inclusiones
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https://repository.kpfu.ru/?p_id=231407 |
Полная запись метаданных |
Поле DC |
Значение |
Язык |
dc.contributor.author |
Крылов Вячеслав Николаевич |
ru_RU |
dc.date.accessioned |
2020-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2020-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2020 |
ru_RU |
dc.identifier.citation |
Steven Gabriel Nussbaum, Krylov Viacheslav Nikolaevich, Mikhailova Maria Viktorovna, PARADOXES OF PERSONALITY IN THE PAGES OF GEORGII EFRON'S DIARY//REVISTA INCLUSIONES. - 2019. - Vol.6, Is.. - P.772-778. |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/?p_id=231407 |
ru_RU |
dc.description.abstract |
Revista Inclusiones |
ru_RU |
dc.description.abstract |
This article examines the image of the author in the diaries of Georgii Efron, the son of Marina Tsvetaeva. As this image is created, it becomes clear which sources form the “poetics of alienation,” dominant in the structure of the authorial ego, within the diary. The goal of the present discussion is to show that a large part of Efron's (or Mur, as he was called at home) diary was really part of a strategy for creating an image of the Other in the process of his fixation on lived experience. In Efron's diary, what appears is an orientation towards literariness, the position of an estranged observer, an original kind of “dandyism,” a view of Russian life that seems external, and an opposition between oneself and other people. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
diary |
ru_RU |
dc.subject |
Georgii Efron |
ru_RU |
dc.subject |
personality |
ru_RU |
dc.subject |
alienation |
ru_RU |
dc.subject |
isolation |
ru_RU |
dc.subject |
dandyism |
ru_RU |
dc.subject |
contempt |
ru_RU |
dc.title |
PARADOXES OF PERSONALITY IN THE PAGES OF GEORGII EFRON'S DIARY |
ru_RU |
dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|