| Форма представления | Статьи в зарубежных журналах и сборниках |
| Год публикации | 2021 |
| Язык | английский |
|
Еманова Юлиана Геннадьевна, автор
Яо Любовь Маркеловна, автор
Яо Михаил Константинович, автор
|
| Библиографическое описание на языке оригинала |
Mukhametzyanova Liliya Rinatovna, Yao Mikhail Konstantinoyich, Emanoya Juliana Gennadieyna, Lubov Markelovna Yao, Taisiya Pushkar. ARTISTIC IMAGE IN FURNITURE CRAFT//LAPLAGE EM REVISTA. - 2021. - Vol.7, Is.. - P.76-81. |
| Аннотация |
The paper is devoted to the role of
wood in the art of furniture. The
work traces the typological
relationship of certain types of
furniture designed in the twentieth
century with the prototypes of the
XVIII and XIX centuries. The paper
argues about the possibilities of the
material for creating aesthetically
significant furniture samples. The
stage in recognizing the new
possibilities of technologically
processed wood is the furniture by
J. Summers, which revealed the
possibility of designing a chair from
a single sheet of plywood “in one
piece” without structural
connections. H. Peak, C. Mollino,
Ch. R. Eames, S. Yanagi worked in
the same direction. Chipboard is
the last of the materials discussed
in the paper. The appeal to the
archaic box-type design was laid in
the works by Rietveld, M. Bill, and
G. Gugelot. In the wake of the
architecture, deconstruction in the
furniture design can be seen in the
works by F. and W. Campana. |
| Ключевые слова |
Furniture style. Plastic
possibilities of wood. Framepaneled design. Box-type design.
Wood-particle board (Chipboard). |
| Название журнала |
LAPLAGE EM REVISTA
|
| URL |
https://laplageemrevista.editorialaar.com/index.php/lpg1/article/download/1069/979 |
| Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=256454 |
Полная запись метаданных  |
| Поле DC |
Значение |
Язык |
| dc.contributor.author |
Еманова Юлиана Геннадьевна |
ru_RU |
| dc.contributor.author |
Яо Любовь Маркеловна |
ru_RU |
| dc.contributor.author |
Яо Михаил Константинович |
ru_RU |
| dc.date.accessioned |
2021-01-01T00:00:00Z |
ru_RU |
| dc.date.available |
2021-01-01T00:00:00Z |
ru_RU |
| dc.date.issued |
2021 |
ru_RU |
| dc.identifier.citation |
Mukhametzyanova Liliya Rinatovna, Yao Mikhail Konstantinoyich, Emanoya Juliana Gennadieyna, Lubov Markelovna Yao, Taisiya Pushkar. ARTISTIC IMAGE IN FURNITURE CRAFT//LAPLAGE EM REVISTA. - 2021. - Vol.7, Is.. - P.76-81. |
ru_RU |
| dc.identifier.uri |
https://repository.kpfu.ru/?p_id=256454 |
ru_RU |
| dc.description.abstract |
LAPLAGE EM REVISTA |
ru_RU |
| dc.description.abstract |
The paper is devoted to the role of
wood in the art of furniture. The
work traces the typological
relationship of certain types of
furniture designed in the twentieth
century with the prototypes of the
XVIII and XIX centuries. The paper
argues about the possibilities of the
material for creating aesthetically
significant furniture samples. The
stage in recognizing the new
possibilities of technologically
processed wood is the furniture by
J. Summers, which revealed the
possibility of designing a chair from
a single sheet of plywood “in one
piece” without structural
connections. H. Peak, C. Mollino,
Ch. R. Eames, S. Yanagi worked in
the same direction. Chipboard is
the last of the materials discussed
in the paper. The appeal to the
archaic box-type design was laid in
the works by Rietveld, M. Bill, and
G. Gugelot. In the wake of the
architecture, deconstruction in the
furniture design can be seen in the
works by F. and W. Campana. |
ru_RU |
| dc.language.iso |
ru |
ru_RU |
| dc.subject |
|
ru_RU |
| dc.title |
ARTISTIC IMAGE IN FURNITURE CRAFT |
ru_RU |
| dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|
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