| Форма представления | Тезисы и материалы конференций в российских журналах и сборниках |
| Год публикации | 2022 |
| Язык | русский |
|
Хабутдинова Милеуша Мухаметзяновна, автор
|
| Библиографическое описание на языке оригинала |
Хабутдинова М.М. Рецепция Ф.М. Достоевского в татарской культуре / М.М. Хабутдинова // Материалы
Международной научной конференции
«Наследие Ф.М. Достоевского в национальных культурах»,
посвященной 200-летию со дня рождения Ф. М. Достоевского. Турция. Карс 5-7 января 2022. Ekim 2022 ANKARA С.41-46 |
| Аннотация |
Материалы Международной научной конференции «Наследие Ф.М. Достоевского в национальных культурах», посвященной 200-летию со дня рождения Ф. М. Достоевского. |
| Ключевые слова |
Russian-Tatar literary interrelations, Fyodor Dostoevsky, Ayaz Gilyazov,
writer's library, reception of creativity |
| Название журнала |
Материалы Международной научной конференции «Наследие Ф.М. Достоевского в национальных культурах», посвященной 200-летию со дня рождения Ф. М. Достоевского.
|
| URL |
https://russkiymir.ru/grants/docs/Dostoevskii-Turciya-tom1.pdf?ysclid=ld9prrkpv2512526675 |
| Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=275731 |
Полная запись метаданных  |
| Поле DC |
Значение |
Язык |
| dc.contributor.author |
Хабутдинова Милеуша Мухаметзяновна |
ru_RU |
| dc.date.accessioned |
2022-01-01T00:00:00Z |
ru_RU |
| dc.date.available |
2022-01-01T00:00:00Z |
ru_RU |
| dc.date.issued |
2022 |
ru_RU |
| dc.identifier.citation |
Хабутдинова М.М. Рецепция Ф.М. Достоевского в татарской культуре / М.М. Хабутдинова // Материалы
Международной научной конференции
«Наследие Ф.М. Достоевского в национальных культурах»,
посвященной 200-летию со дня рождения Ф. М. Достоевского. Турция. Карс 5-7 января 2022. Ekim 2022 ANKARA С.41-46 |
ru_RU |
| dc.identifier.uri |
https://repository.kpfu.ru/?p_id=275731 |
ru_RU |
| dc.description.abstract |
Материалы Международной научной конференции «Наследие Ф.М. Достоевского в национальных культурах», посвященной 200-летию со дня рождения Ф. М. Достоевского. |
ru_RU |
| dc.description.abstract |
The purpose of the work is to study the features of the Fyodor Dostoevsky's heritage
reception in Tatar culture. The article systematizes the material on the following topics:
«Dostoevsky and Kazan«, «Dostoevsky and Tatar literature«. We used the works of the Tatar
writer A.M. Gilyazov, performances of the Menzelinsk State Tatar Drama Theater named
after S. Amutbayev («Uncle's Dream« (directed by R. Ayupov, 2016), «Crime and
Punishment« (directed by I. Kazakbayev, 2021) as material for our study. The main research
methods are comparative and hermeneutic ones.
Ayaz Gilyazov got acquainted with the work of the Russian writer during his studies
at Kazan University. The epistolary legacy of A.M. Gilyazov, his diaries and artistic works
testify to the steady interest of the Tatar writer in the work of F.M. Dostoevsky. Artistic
reception of Ayaz Gilyazov is carried out in several directions: writing-reading,
intertextuality, stylistic reception.
In 2016, Menzelinsk State Tatar Drama Theater named after S. Amutbayev staged the
play «Uncle's Dream« («Abzyynin toshe«) (directed by Rinat Ayupov). The Tatar Theater
turned for the first time to the work of the great Russian writer. The dramatization of M.
Knebel and P. Markov was translated into Tatar by A. Gafurov. R. Ayupov made adjustments
to the plot of the dramatization. The ideological and artistic potential of the story is
transmitted without change. This is a play about the impermanence of being and makes
tragicomedy in it's genre. R. Ayupov in his production brilliantly realized the traditions of
carnival culture, puppet theater, vaudeville. The play uses such comic techniques as a lot of
events catching up with each other, tense dialogues; drama is achieved through the
compactness of action in time and space. In the performance of R. Ayupov, the principle of
the pairing of the grooms debunking and the pairing of the key characters is preserved, the
motif of sleep is being developed.
In 2021, I. Kazakbayev staged the play «Crime and Punishment« in the same theater.
The scenography is based on a parallel with modernity (the theme of the «little man« in
Aleksandr Solzhenitsyn's story «One Day in the Life of Ivan Denisovich«). The director
reflects on the potential of the «little man«, that harsh reality can destroy a person's soul. The
theory of R. Raskolnikov in the play is measured by a «child's tear«. Adjustments have been
made to the character system: Superman, Pioneer-Boy, Pioneer-Girl, Ghost have been added.
In the dramatization of I. Kazakbayev, the game element dominates. The theme of the card
game is focused on deepening the tragic meanings of the eternal life game in which the
characters are involved. The game behavior of the characters is based on the antithesis of
behavior and idea. The play of the «extraordinary man« in the performance acts as a projection of the future.
|
ru_RU |
| dc.language.iso |
ru |
ru_RU |
| dc.subject |
Russian-Tatar literary interrelations |
ru_RU |
| dc.subject |
Fyodor Dostoevsky |
ru_RU |
| dc.subject |
Ayaz Gilyazov |
ru_RU |
| dc.subject |
writer's library |
ru_RU |
| dc.subject |
reception of creativity |
ru_RU |
| dc.title |
Рецепция Ф.М. Достоевского в татарской культуре |
ru_RU |
| dc.type |
Тезисы и материалы конференций в российских журналах и сборниках |
ru_RU |
|
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