| Форма представления | Статьи в зарубежных журналах и сборниках |
| Год публикации | 2025 |
| Язык | английский |
|
Хурматуллина Резеда Камилевна, автор
|
| Библиографическое описание на языке оригинала |
R. Khurmatullina Tatar traditional spiritual musical culture: legacy, preservation,
and change // Proceedings
of Echoes of Heritage: Navigating the Legacy of Music and Dance
Joint Symposium of the ICTMD Study Groups on Music and Dance in the Turkic World and
Global History of Music
18–22 September 2024, Baku, Azerbaijan, pages 77-84 |
| Аннотация |
Proceedings of Echoes of Heritage: Navigating the Legacy of Music and Dance Joint Symposium of the ICTMD Study Groups on Music and Dance in the Turkic World and Global History of Music 18–22 September 2024, Baku, Azerbaijan, 406 |
| Ключевые слова |
transformation, innovation, Tatar traditional music, spiritual culture, munajat,
Maulid Bayram
|
| Название журнала |
Proceedings of Echoes of Heritage: Navigating the Legacy of Music and Dance Joint Symposium of the ICTMD Study Groups on Music and Dance in the Turkic World and Global History of Music 18–22 September 2024, Baku, Azerbaijan, 406
|
| Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=322755 |
Полная запись метаданных  |
| Поле DC |
Значение |
Язык |
| dc.contributor.author |
Хурматуллина Резеда Камилевна |
ru_RU |
| dc.date.accessioned |
2025-01-01T00:00:00Z |
ru_RU |
| dc.date.available |
2025-01-01T00:00:00Z |
ru_RU |
| dc.date.issued |
2025 |
ru_RU |
| dc.identifier.citation |
R. Khurmatullina Tatar traditional spiritual musical culture: legacy, preservation,
and change // Proceedings
of Echoes of Heritage: Navigating the Legacy of Music and Dance
Joint Symposium of the ICTMD Study Groups on Music and Dance in the Turkic World and
Global History of Music
18–22 September 2024, Baku, Azerbaijan, pages 77-84 |
ru_RU |
| dc.identifier.uri |
https://repository.kpfu.ru/?p_id=322755 |
ru_RU |
| dc.description.abstract |
Proceedings of Echoes of Heritage: Navigating the Legacy of Music and Dance Joint Symposium of the ICTMD Study Groups on Music and Dance in the Turkic World and Global History of Music 18–22 September 2024, Baku, Azerbaijan, 406 |
ru_RU |
| dc.description.abstract |
Among the most ancient genres of Tatar folklore, a special place is occupied by munajat,
whose purpose was to form deep religious feelings for the canons of Islam. Munajat began to spread
among the Tatar people from the 10th-11th centuries, when Islam became the only state religion in
Volga Bulgaria. The performance of munajats among the Tatars of the Volga region today is a living
tradition that corresponds to such parameters as traditionality, variability, orality, locality,
inclusiveness and syncretism. Variability is manifested in the fact that the same tune sounds
differently for each performer. The tradition of performing munajat is typically oral, hence the
variability and peculiarities. The sign of locality is found in the regional tradition, which islimited by
certain boundaries, has its own set of tunes, its own ethnographic features. At the same time,
inclusivity as involvement in the process meant inseparability, the absence of barriers between the
performer and the listener, and syncretism was expressed in the connection between words, music
and action.
|
ru_RU |
| dc.language.iso |
ru |
ru_RU |
| dc.subject |
transformation |
ru_RU |
| dc.subject |
innovation |
ru_RU |
| dc.subject |
Tatar traditional music |
ru_RU |
| dc.subject |
spiritual culture |
ru_RU |
| dc.subject |
munajat |
ru_RU |
| dc.subject |
Maulid Bayram
|
ru_RU |
| dc.title |
Tatar traditional spiritual musical culture: legacy, preservation,
and change |
ru_RU |
| dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|
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