| Форма представления | Статьи в зарубежных журналах и сборниках |
| Год публикации | 2014 |
| Язык | русский |
|
Батыршина Гульнара Ибрагимовна, автор
Сафиуллина Лилия Гарифулловна, автор
|
| Библиографическое описание на языке оригинала |
Safiullina L.G., Batyrshina G.I. Musical images as a reflection of the artistic universalism of Marc Сhagall // Terra Sebus: Acta Musei Sabesiensis. - 2014. - Special Issue. - P. 67-104. Scopus |
| Аннотация |
Music is the most important philosophical and aesthetic category in the artistic consciousness of Marc Chagall. Musical images in his work relate to intrinsic concepts such as love, life, inspiration, comfort, harmony and beauty. They connect the artist with his past, his ethnic roots and, at the same time, with world artistic experience, forming the basis of his understanding of religion, history and culture. In the works of Chagall, music takes on a ceremonial and ritual significance; it accompanies major events in the life of individuals and society, and en courages a spiritual quest.
Images of musical instruments and musicians abound in Chagall?s drawings, paintings and stained glass panels. They reflect the artist?s polymodal thinking, allowing his visual works to restore a complete picture of the world, of which an integral part is sound. The most common elements in Chagall?s musical iconography are violins floating in the air, cellos, humans, the biblical kings David and Solomo |
| Ключевые слова |
artistic universalism, Marc Chagall, fine art, musical iconography,klezmer music |
| Название журнала |
Terra Sebus
|
| URL |
http://cclbsebes.ro/docs/Sebus_SI_2014/06_LGSafiullina_GIBatyrshina.pdf |
| Пожалуйста, используйте этот идентификатор, чтобы цитировать или ссылаться на эту карточку |
https://repository.kpfu.ru/?p_id=99217 |
| Файлы ресурса | |
|
|
Полная запись метаданных  |
| Поле DC |
Значение |
Язык |
| dc.contributor.author |
Батыршина Гульнара Ибрагимовна |
ru_RU |
| dc.contributor.author |
Сафиуллина Лилия Гарифулловна |
ru_RU |
| dc.date.accessioned |
2014-01-01T00:00:00Z |
ru_RU |
| dc.date.available |
2014-01-01T00:00:00Z |
ru_RU |
| dc.date.issued |
2014 |
ru_RU |
| dc.identifier.citation |
Safiullina L.G., Batyrshina G.I. Musical images as a reflection of the artistic universalism of Marc Сhagall // Terra Sebus: Acta Musei Sabesiensis. - 2014. - Special Issue. - P. 67-104. Scopus |
ru_RU |
| dc.identifier.uri |
https://repository.kpfu.ru/?p_id=99217 |
ru_RU |
| dc.description.abstract |
Terra Sebus |
ru_RU |
| dc.description.abstract |
Music is the most important philosophical and aesthetic category in the artistic consciousness of Marc Chagall. Musical images in his work relate to intrinsic concepts such as love, life, inspiration, comfort, harmony and beauty. They connect the artist with his past, his ethnic roots and, at the same time, with world artistic experience, forming the basis of his understanding of religion, history and culture. In the works of Chagall, music takes on a ceremonial and ritual significance; it accompanies major events in the life of individuals and society, and en courages a spiritual quest.
Images of musical instruments and musicians abound in Chagall?s drawings, paintings and stained glass panels. They reflect the artist?s polymodal thinking, allowing his visual works to restore a complete picture of the world, of which an integral part is sound. The most common elements in Chagall?s musical iconography are violins floating in the air, cellos, humans, the biblical kings David and Solomo |
ru_RU |
| dc.language.iso |
ru |
ru_RU |
| dc.subject |
artistic universalism |
ru_RU |
| dc.subject |
Marc Chagall |
ru_RU |
| dc.subject |
fine art |
ru_RU |
| dc.subject |
musical iconography |
ru_RU |
| dc.subject |
klezmer music |
ru_RU |
| dc.title |
Safiullina L.G., Batyrshina G.I. Musical images as a reflection of the artistic universalism of Marc Сhagall // Terra Sebus: Acta Musei Sabesiensis. - Special Issue. 2014. - P. 67-104. |
ru_RU |
| dc.type |
Статьи в зарубежных журналах и сборниках |
ru_RU |
|
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