KFU. Card publication. The works of N.Harnoncourt: The dynamics of style on the example of performances of Mozart`s opera “La Clemenza di Tito” period of the late XX c. and early XXI c.

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THE WORKS OF N.HARNONCOURT: THE DYNAMICS OF STYLE ON THE EXAMPLE OF PERFORMANCES OF MOZART`S OPERA &LDQUO;LA CLEMENZA DI TITO&RDQUO; PERIOD OF THE LATE XX C. AND EARLY XXI C.

Form of presentation

Articles in international journals and collections

Year of publication

2015

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Authors, employees of KFU

Karkina Svetlana Vladimirovna, author

Bibliographic description in the original language

Karkina S.V. The works of N.Harnoncourt: The dynamics of style on the example of performances of Mozart`s opera “La Clemenza di Tito” period of the late XX c. and early XXI c. // 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2015, 26.08 – 01.09.2015, Albena, Bulgaria, Book 4 Arts, Performing Arts, Architecture and Design. Bulgaria: STEF92 Technology Ltd., 2015. – P. 139-146.

Annotation

The present research aims to study the works of outstanding modern conductor N. Harnoncourt during the period of the late XX c. and early XXI c. for example of productions of the opera wrote by Mozart "La Clemenza di Tito" and identify basic principles and regularities of the dynamics of the style. The methodology of the study was the comparative method, that enabled a comparative historical and cultural analysis of the phenomena of Opera art of modern time. N. Harnoncourt in his work the of Mozart's Opera "La Clemenza di Tito" in the last decade of the twentieth century outlined an innovative approach to the interpretation of the intent of the composer, such as identification of prerequisites for meaningful expansion of the field of the theory of Opera roles. However, in General, the interpretation was sustained in the traditions of the genre.

Keywords

arts, Harnoncourt, Conductor, Opera, Mozart, Contemporary performing art

The name of the journal

2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2015, 26.08 – 01.09.2015, Albena, Bulgaria, Book 4 Arts, Performing Arts, Architecture and Design

URL

http://sgemsocial.org/ssgemlib/spip.php?article2012

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=118387&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Karkina Svetlana Vladimirovna	ru_RU
dc.date.accessioned	2015-01-01T00:00:00Z	ru_RU
dc.date.available	2015-01-01T00:00:00Z	ru_RU
dc.date.issued	2015	ru_RU
dc.identifier.citation	Karkina S.V. The works of N.Harnoncourt: The dynamics of style on the example of performances of Mozart`s opera “La Clemenza di Tito” period of the late XX c. and early XXI c. // 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2015, 26.08 – 01.09.2015, Albena, Bulgaria, Book 4 Arts, Performing Arts, Architecture and Design. Bulgaria: STEF92 Technology Ltd., 2015. – P. 139-146.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=118387&p_lang=2	ru_RU
dc.description.abstract	2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2015, 26.08 – 01.09.2015, Albena, Bulgaria, Book 4 Arts, Performing Arts, Architecture and Design	ru_RU
dc.description.abstract	The present research aims to study the works of outstanding modern conductor N. Harnoncourt during the period of the late XX c. and early XXI c. for example of productions of the opera wrote by Mozart "La Clemenza di Tito" and identify basic principles and regularities of the dynamics of the style. The methodology of the study was the comparative method, that enabled a comparative historical and cultural analysis of the phenomena of Opera art of modern time. N. Harnoncourt in his work the of Mozart's Opera "La Clemenza di Tito" in the last decade of the twentieth century outlined an innovative approach to the interpretation of the intent of the composer, such as identification of prerequisites for meaningful expansion of the field of the theory of Opera roles. However, in General, the interpretation was sustained in the traditions of the genre.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	arts	ru_RU
dc.subject	Harnoncourt	ru_RU
dc.subject	Conductor	ru_RU
dc.subject	Opera	ru_RU
dc.subject	Mozart	ru_RU
dc.subject	Contemporary performing art	ru_RU
dc.title	The works of N.Harnoncourt: The dynamics of style on the example of performances of Mozart`s opera “La Clemenza di Tito” period of the late XX c. and early XXI c.	ru_RU
dc.type	Articles in international journals and collections	ru_RU