Form of presentation | Articles in international journals and collections |
Year of publication | 2016 |
Язык | английский |
|
Amineva Venera Rudalevna, author
Yuzmukhametova Landysh Nurgayanovna, author
|
Bibliographic description in the original language |
Landysh N. Yuzmukhametova, Venera R. Amineva. Intertextuality in N.Gambar?s lyrics: dialogue of the western and eastern traditions // International journal of humanities and cultural studies. july, 2016, rr. 7-13. ISSN 2356-5926 |
Annotation |
International journal of humanities and cultural studies |
Keywords |
Tatar literature, Russian literature, lyrical subject, identity, genre, dialogue, "own", "foreign" |
The name of the journal |
International journal of humanities and cultural studies
|
URL |
http://www.ijhcs.com/index.php/ijhcs/issue/view/23 |
Please use this ID to quote from or refer to the card |
https://repository.kpfu.ru/eng/?p_id=134762&p_lang=2 |
Resource files | |
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Full metadata record |
Field DC |
Value |
Language |
dc.contributor.author |
Amineva Venera Rudalevna |
ru_RU |
dc.contributor.author |
Yuzmukhametova Landysh Nurgayanovna |
ru_RU |
dc.date.accessioned |
2016-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2016-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2016 |
ru_RU |
dc.identifier.citation |
Landysh N. Yuzmukhametova, Venera R. Amineva. Intertextuality in N.Gambar?s lyrics: dialogue of the western and eastern traditions // International journal of humanities and cultural studies. july, 2016, рр. 7-13. ISSN 2356-5926 |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/eng/?p_id=134762&p_lang=2 |
ru_RU |
dc.description.abstract |
International journal of humanities and cultural studies |
ru_RU |
dc.description.abstract |
Intertextuality is considered as a system forming principle of poetics of Tatar poet N. Gambar. It reflects the various ways and forms of the lyrical subject self-identification: as a carrier of common type substance of humanity, a representative of a particular ethnic group, the unique individuality that is passing painful phase of overcoming the phenomenon of his existence, the creative person who is learning his mission in the world. It is established that the genre and composite structure of the poems (close to the fragment genre) corresponds to the process of self-identification and self-determination of the lyrical hero in the world. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
Tatar literature |
ru_RU |
dc.subject |
Russian literature |
ru_RU |
dc.subject |
lyrical subject |
ru_RU |
dc.subject |
identity |
ru_RU |
dc.subject |
genre |
ru_RU |
dc.subject |
dialogue |
ru_RU |
dc.subject |
"own" |
ru_RU |
dc.subject |
"foreign" |
ru_RU |
dc.title |
Intertextuality in N.Gambar?s lyrics: dialogue of the western and eastern traditions |
ru_RU |
dc.type |
Articles in international journals and collections |
ru_RU |
|