KFU. Card publication. THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR

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THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR

Form of presentation

Articles in international journals and collections

Year of publication

2016

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Authors, employees of KFU

Gaynullina Gulfiya Rasilevna, author

Zinnatullina Zulfiya Rafisovna, author

Khabutdinova Mileusha Mukhametzyanovna, author

Bibliographic description in the original language

Zinnatullina Zulfiya, Khabutdinova Milyausha, Gaynullina Gulfiya, THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR//TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION. - 2016. - Vol.6, Is.. - P.3454-3459.

Annotation

The article deals with originality of stage director's conception in Tatar performances «Hamlet« (stage director Oleg Khanov, 2003) and «HAMLET. Scenes« (R.G. Zagidullin, 2014). It generalizes the comments and notices of theatre experts published in regional (the Republic of Tatarstan) and central press (Moscow). The articles from the magazines «Strastnoy bul'var«, «Stsena«, «Tatarica«, (Tatarstan), newspapers «Biznes-onlain«, «Respublika Tatarstan«, «Izvestiya Tatarstana« are analyzed. The material on the history of translations of the play «Hamlet« by Shakespeare into the Tatar language has been presented. The key tendencies of the formation of the phenomenon of the Tatar «hamletism« has been elicited. It is concluded on the basis of comparative analysis that the Tatar theatre sees into «Hamlet« through the prism of psychological theatre. The material in translation becomes a field of view for originative experiment with a form.

Keywords

Tatar theatre; Shakespeare; "Hamlet"; R. Zagidullin; O. Khanov; G. Rakhim; N. Isenbet; Russian press

The name of the journal

TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=155390&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Gaynullina Gulfiya Rasilevna	ru_RU
dc.contributor.author	Zinnatullina Zulfiya Rafisovna	ru_RU
dc.contributor.author	Khabutdinova Mileusha Mukhametzyanovna	ru_RU
dc.date.accessioned	2016-01-01T00:00:00Z	ru_RU
dc.date.available	2016-01-01T00:00:00Z	ru_RU
dc.date.issued	2016	ru_RU
dc.identifier.citation	Zinnatullina Zulfiya, Khabutdinova Milyausha, Gaynullina Gulfiya, THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR//TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION. - 2016. - Vol.6, Is.. - P.3454-3459.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=155390&p_lang=2	ru_RU
dc.description.abstract	TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION	ru_RU
dc.description.abstract	The article deals with originality of stage director's conception in Tatar performances «Hamlet« (stage director Oleg Khanov, 2003) and «HAMLET. Scenes« (R.G. Zagidullin, 2014). It generalizes the comments and notices of theatre experts published in regional (the Republic of Tatarstan) and central press (Moscow). The articles from the magazines «Strastnoy bul'var«, «Stsena«, «Tatarica«, (Tatarstan), newspapers «Biznes-onlain«, «Respublika Tatarstan«, «Izvestiya Tatarstana« are analyzed. The material on the history of translations of the play «Hamlet« by Shakespeare into the Tatar language has been presented. The key tendencies of the formation of the phenomenon of the Tatar «hamletism« has been elicited. It is concluded on the basis of comparative analysis that the Tatar theatre sees into «Hamlet« through the prism of psychological theatre. The material in translation becomes a field of view for originative experiment with a form.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject		ru_RU
dc.title	THE SPECIFICS OF THE INTERPRETATION WILLIAM SHAKESPEARE'S HAMLET ON THE STAGE OF TATAR	ru_RU
dc.type	Articles in international journals and collections	ru_RU