Form of presentation | Articles in international journals and collections |
Year of publication | 2018 |
Язык | английский |
|
Emanova Yuliana Gennadevna, author
Mukhametzyanova Liliya Rinatovna, author
Yao Mikhail Konstantinovich, author
|
Bibliographic description in the original language |
Lily R. Mukhametzyanova, Michail K. Yao, Juliana G. Emanova, Kseniya G. Pozdnyakova. Neogothic Space Interpretation/ Lily R. Mukhametzyanova, Michail K. Yao, Juliana G. Emanova, Kseniya G. Pozdnyakova // HELIX.- Vol. 8(1). – P. 2873-2876. ISSN 2319 – 5592 (Online). |
Annotation |
Abstract
The article considers the specific features of Gothic
motifs interpretation in different countries and in
different historical periods: Gothic motifs in baroque
Italy and the Czech Republic, Germany and England
of the 19th century and in more thoroughly in Russia.
Medieval motifs coexist harmoniously with the
elements of different styles in small forms. The
symbolic fullness of the Gothic material
environment proved to be spiritually attractive to the
rationalistic era of the Industrial Revolution. NeoGothic has expressed the desire of house and interior
customers to oppose an individual to a public. In
different countries, Neo-Gothic had a specific
semantic content from a romantic fairy tale to the
manifesto dedicated to the triumph of technological
progress. A wide interest for Gothic in Russia
appears under the influence of Romantic literature.
Russia and other countries experienced the
contradic |
Keywords |
Neo-Gothic, Pseudo-Gothic, Gothic,
Style Interpretation, Gothic Architecture, Gothic
Interior, Interior Reconstruction, Gothic Furniture |
The name of the journal |
Helix
|
Please use this ID to quote from or refer to the card |
https://repository.kpfu.ru/eng/?p_id=177436&p_lang=2 |
Full metadata record |
Field DC |
Value |
Language |
dc.contributor.author |
Emanova Yuliana Gennadevna |
ru_RU |
dc.contributor.author |
Mukhametzyanova Liliya Rinatovna |
ru_RU |
dc.contributor.author |
Yao Mikhail Konstantinovich |
ru_RU |
dc.date.accessioned |
2018-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2018-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2018 |
ru_RU |
dc.identifier.citation |
Lily R. Mukhametzyanova, Michail К. Yao, Juliana G. Emanova, Kseniya G. Pozdnyakova. Neogothic Space Interpretation/ Lily R. Mukhametzyanova, Michail К. Yao, Juliana G. Emanova, Kseniya G. Pozdnyakova // HELIX.- Vol. 8(1). – P. 2873-2876. ISSN 2319 – 5592 (Online). |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/eng/?p_id=177436&p_lang=2 |
ru_RU |
dc.description.abstract |
Helix |
ru_RU |
dc.description.abstract |
Abstract
The article considers the specific features of Gothic
motifs interpretation in different countries and in
different historical periods: Gothic motifs in baroque
Italy and the Czech Republic, Germany and England
of the 19th century and in more thoroughly in Russia.
Medieval motifs coexist harmoniously with the
elements of different styles in small forms. The
symbolic fullness of the Gothic material
environment proved to be spiritually attractive to the
rationalistic era of the Industrial Revolution. NeoGothic has expressed the desire of house and interior
customers to oppose an individual to a public. In
different countries, Neo-Gothic had a specific
semantic content from a romantic fairy tale to the
manifesto dedicated to the triumph of technological
progress. A wide interest for Gothic in Russia
appears under the influence of Romantic literature.
Russia and other countries experienced the
contradic |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
Neo-Gothic |
ru_RU |
dc.subject |
Pseudo-Gothic |
ru_RU |
dc.subject |
Gothic |
ru_RU |
dc.subject |
Style Interpretation |
ru_RU |
dc.subject |
Gothic Architecture |
ru_RU |
dc.subject |
Gothic
Interior |
ru_RU |
dc.subject |
Interior Reconstruction |
ru_RU |
dc.subject |
Gothic Furniture |
ru_RU |
dc.title |
Neogothic Space Interpretation |
ru_RU |
dc.type |
Articles in international journals and collections |
ru_RU |
|