KFU. Card publication. National perspective as axiological component of the composition art world

KAZAN
FEDERAL UNIVERSITY

- RUS
- 中文
- ES

NATIONAL PERSPECTIVE AS AXIOLOGICAL COMPONENT OF THE COMPOSITION ART WORLD

Form of presentation

Articles in international journals and collections

Year of publication

2018

Язык

английский

Authors, employees of KFU

Amineva Venera Rudalevna, author

Bibliographic description in the original language

Amineva V.R., National perspective as axiological component of the composition art world//XLinguae. - 2018. - Vol.11, Is.2. - P.329-337.

Annotation

The subject of the study is the axiological content of the Tatar writer A. Eniki works written in the 1950s-1960s: «Who sang?«, «The native Land,« «A copper hand bell.« The art world of these stories is considered as the integrity formed by valuable installations of the author: it opposes to destructive tendencies of the epoch personal and patrimonial memory, responsibility for the land of ancestors, beauty of the native nature, poetic aspects of the people life, his ancient history and great culture, spiritual wealth and wisdom. The conclusion is drawn that the axiological pithiness of works defines their genre and composite structure: the principles of interaction between the epic and lyrical (in story «Who sang?«, «A copper hand bell«), epic and novelistic (in story «The native Land«) tendencies in the narration, the descriptive beginning with logic of a plot development. It is established that the valuable structure of the represented world reveals at the level of the principles an

Keywords

A. Eniki, Tatar literature of the 20th century, value, identity, composition, architectonics, genre, epic, lyrics, symbolization

The name of the journal

XLinguae

URL

https://www.scopus.com/inward/record.uri?eid=2-s2.0-85047383379&doi=10.18355%2fXL.2018.11.02.26&partnerID=40&md5=e90c6bb2f6d3aaf45c37cd6def918ef0

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=183246&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Amineva Venera Rudalevna	ru_RU
dc.date.accessioned	2018-01-01T00:00:00Z	ru_RU
dc.date.available	2018-01-01T00:00:00Z	ru_RU
dc.date.issued	2018	ru_RU
dc.identifier.citation	Amineva V.R., National perspective as axiological component of the composition art world//XLinguae. - 2018. - Vol.11, Is.2. - P.329-337.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=183246&p_lang=2	ru_RU
dc.description.abstract	XLinguae	ru_RU
dc.description.abstract	The subject of the study is the axiological content of the Tatar writer A. Eniki works written in the 1950s-1960s: «Who sang?«, «The native Land,« «A copper hand bell.« The art world of these stories is considered as the integrity formed by valuable installations of the author: it opposes to destructive tendencies of the epoch personal and patrimonial memory, responsibility for the land of ancestors, beauty of the native nature, poetic aspects of the people life, his ancient history and great culture, spiritual wealth and wisdom. The conclusion is drawn that the axiological pithiness of works defines their genre and composite structure: the principles of interaction between the epic and lyrical (in story «Who sang?«, «A copper hand bell«), epic and novelistic (in story «The native Land«) tendencies in the narration, the descriptive beginning with logic of a plot development. It is established that the valuable structure of the represented world reveals at the level of the principles an	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	A. Eniki	ru_RU
dc.subject	Tatar literature of the 20th century	ru_RU
dc.subject	value	ru_RU
dc.subject	identity	ru_RU
dc.subject	composition	ru_RU
dc.subject	architectonics	ru_RU
dc.subject	genre	ru_RU
dc.subject	epic	ru_RU
dc.subject	lyrics	ru_RU
dc.subject	symbolization	ru_RU
dc.title	National perspective as axiological component of the composition art world	ru_RU
dc.type	Articles in international journals and collections	ru_RU