KFU. Card publication. Piano creativity of tatarstan composers: from origin to modernity

KAZAN
FEDERAL UNIVERSITY

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PIANO CREATIVITY OF TATARSTAN COMPOSERS: FROM ORIGIN TO MODERNITY

Form of presentation

Articles in international journals and collections

Year of publication

2018

Язык

английский

Authors, employees of KFU

Fayzrakhmanova Lyalya Tagirovna, author

Bibliographic description in the original language

Faizrakhmanova Lyalya T. Piano creativity of tatarstan composers: from origin to modernity /Sultanova Ramilya R.,Faizrakhmanova Lyalya T., Kovrikova Ekaterina V.//NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD. - 2018. - Vol., Is.3. - P.718-720.

Annotation

Abstract. The article presents the results of the study of the development of piano music in the works of Tatarstan composers during the period beginning from its origin to the present. The historical-cultural approach used in the study allowed revealing the background, stages and regional peculiarities of the development of this type of music. The materials studied show that that Tatar piano music originated as a cultural phenomenon under the influence of the Western European (Russian) musical tradition, in the process of Tatar musicians mastering the basics of European musical instrumental culture, including genres, forms, and means of expression. These processes led to the forcing out of the established tradition of oral musical and poetic creativity in Tatar-Muslim culture and, at the same time, to the synthesis of the traditional foundations of European piano music and Tatar folklore in the works of national composers. The subsequent stages of the development of piano art in Tatarstan are characterized by the search for a national style, the formation of a system for the professional training of musicians. Modern composers return to their national origins in their work, find connections with the ethno-musical traditions of the peoples of the Middle Volga region (Russians, Tatars, Mari, Chuvash, etc.), they use ancient layers of folk art in the synthesis with new expressive means and modern composing techniques. Thus, the piano art of Tatarstan is represented by the work of several generations of composers who mastered and transformed Western European musical «canons« in combination with national musical traditions. The article considers the development of Tatar piano music as innovative that is determined by the historical choice of the development of the musical culture of the region.

Keywords

Keywords: musical culture, piano music, Tatar folklore, Western European art, tradition, innovation.

The name of the journal

NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD

URL

http://journals.uran.ua/visnyknakkkim/article/view/171822

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=214063&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Fayzrakhmanova Lyalya Tagirovna	ru_RU
dc.date.accessioned	2018-01-01T00:00:00Z	ru_RU
dc.date.available	2018-01-01T00:00:00Z	ru_RU
dc.date.issued	2018	ru_RU
dc.identifier.citation	Faizrakhmanova Lyalya T. Piano creativity of tatarstan composers: from origin to modernity /Sultanova Ramilya R.,Faizrakhmanova Lyalya T., Kovrikova Ekaterina V.//NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD. - 2018. - Vol., Is.3. - P.718-720.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=214063&p_lang=2	ru_RU
dc.description.abstract	NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD	ru_RU
dc.description.abstract	Abstract. The article presents the results of the study of the development of piano music in the works of Tatarstan composers during the period beginning from its origin to the present. The historical-cultural approach used in the study allowed revealing the background, stages and regional peculiarities of the development of this type of music. The materials studied show that that Tatar piano music originated as a cultural phenomenon under the influence of the Western European (Russian) musical tradition, in the process of Tatar musicians mastering the basics of European musical instrumental culture, including genres, forms, and means of expression. These processes led to the forcing out of the established tradition of oral musical and poetic creativity in Tatar-Muslim culture and, at the same time, to the synthesis of the traditional foundations of European piano music and Tatar folklore in the works of national composers. The subsequent stages of the development of piano art in Tatarstan are characterized by the search for a national style, the formation of a system for the professional training of musicians. Modern composers return to their national origins in their work, find connections with the ethno-musical traditions of the peoples of the Middle Volga region (Russians, Tatars, Mari, Chuvash, etc.), they use ancient layers of folk art in the synthesis with new expressive means and modern composing techniques. Thus, the piano art of Tatarstan is represented by the work of several generations of composers who mastered and transformed Western European musical «canons« in combination with national musical traditions. The article considers the development of Tatar piano music as innovative that is determined by the historical choice of the development of the musical culture of the region.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	Keywords: musical culture	ru_RU
dc.subject	piano music	ru_RU
dc.subject	Tatar folklore	ru_RU
dc.subject	Western European art	ru_RU
dc.subject	tradition	ru_RU
dc.subject	innovation.	ru_RU
dc.title	Piano creativity of tatarstan composers: from origin to modernity	ru_RU
dc.type	Articles in international journals and collections	ru_RU