Form of presentation | Articles in international journals and collections |
Year of publication | 2019 |
Язык | английский |
|
Akbarova Gulnaz Nailevna, author
Dyganova Elena Aleksandrovna, author
|
Bibliographic description in the original language |
Akbarova Gulnaz N., Dyganova Elena A., Khadeeva Elena N., MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA//TURISMO-ESTUDOS E PRATICAS. - 2019. - Vol.2, P.1-6 |
Annotation |
The development of Tatar professional music in the late XX and early XXI centuries is on the way to the revival of traditional Tatar-Muslim art. The “musical restoration” of religious andartistic traditions of the Tatar-Muslim culture, including traditions perceived from Sufism, becomes the artistic and meaningful task of the Tatar composers. A vivid example of this is the work of Masguda Shamsutdinova (1955). The national factor and historical context have a strong influence on the composer's mentality, on his thinking, which is organically reflected in his music.An analysis of art history and composer creativity allowed the article authors to reveal that M. Shamsutdinova embodies his conceptual ideas by combining the traditions of ethnic music with the constructive laws of Western European art.The scientific article presents the results of a musical-theoretical analysis of the oratorio by M. Shamsutdinova “The Tragedy of the Sons of theEarth” on the text of the author's myth of the same name by the Tatar poet and playwright Hadi Taktash (1901-1931), created in the tradition of the genre of ancient tragedy. The authors of the article consistently presented the musical characteristics of 15 parts of the oratorio.The embodiment of the deep philosophical meaning of a literary text in a musical composition using traditional and modern means of the musical language allows us to rank this composition as one of the most significant in the composer's work. |
Keywords |
Masgud Shamutdinova, Hadi Taktash, ?The Tragedy of the Sons of the Earth?, oratorio, Tatar composer music. |
The name of the journal |
TURISMO-ESTUDOS E PRATICAS
|
URL |
http://natal.uern.br/periodicos/index.php/RTEP/article/view/285/224 |
Please use this ID to quote from or refer to the card |
https://repository.kpfu.ru/eng/?p_id=221378&p_lang=2 |
Full metadata record |
Field DC |
Value |
Language |
dc.contributor.author |
Akbarova Gulnaz Nailevna |
ru_RU |
dc.contributor.author |
Dyganova Elena Aleksandrovna |
ru_RU |
dc.date.accessioned |
2019-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2019-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2019 |
ru_RU |
dc.identifier.citation |
Akbarova Gulnaz N., Dyganova Elena A., Khadeeva Elena N., MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA//TURISMO-ESTUDOS E PRATICAS. - 2019. - Vol.2, P.1-6 |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/eng/?p_id=221378&p_lang=2 |
ru_RU |
dc.description.abstract |
TURISMO-ESTUDOS E PRATICAS |
ru_RU |
dc.description.abstract |
The development of Tatar professional music in the late XX and early XXI centuries is on the way to the revival of traditional Tatar-Muslim art. The “musical restoration” of religious andartistic traditions of the Tatar-Muslim culture, including traditions perceived from Sufism, becomes the artistic and meaningful task of the Tatar composers. A vivid example of this is the work of Masguda Shamsutdinova (1955). The national factor and historical context have a strong influence on the composer's mentality, on his thinking, which is organically reflected in his music.An analysis of art history and composer creativity allowed the article authors to reveal that M. Shamsutdinova embodies his conceptual ideas by combining the traditions of ethnic music with the constructive laws of Western European art.The scientific article presents the results of a musical-theoretical analysis of the oratorio by M. Shamsutdinova “The Tragedy of the Sons of theEarth” on the text of the author's myth of the same name by the Tatar poet and playwright Hadi Taktash (1901-1931), created in the tradition of the genre of ancient tragedy. The authors of the article consistently presented the musical characteristics of 15 parts of the oratorio.The embodiment of the deep philosophical meaning of a literary text in a musical composition using traditional and modern means of the musical language allows us to rank this composition as one of the most significant in the composer's work. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
Masgud Shamutdinova |
ru_RU |
dc.subject |
Hadi Taktash |
ru_RU |
dc.subject |
?The Tragedy of the Sons of the Earth? |
ru_RU |
dc.subject |
oratorio |
ru_RU |
dc.subject |
Tatar composer music. |
ru_RU |
dc.title |
MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA |
ru_RU |
dc.type |
Articles in international journals and collections |
ru_RU |
|