KFU. Card publication. МОНСТРЫ ГИЛЬЕРМО ДЕЛЬ ТОРО КАК ЧАСТЬ ИМИДЖА РЕЖИССЕРА

KAZAN
FEDERAL UNIVERSITY

- RUS
- 中文
- ES

МОНСТРЫ ГИЛЬЕРМО ДЕЛЬ ТОРО КАК ЧАСТЬ ИМИДЖА РЕЖИССЕРА

Form of presentation

International monographs

Year of publication

2020

Язык

русский

Authors, employees of KFU

Zinnatullina Zulfiya Rafisovna, author

Bibliographic description in the original language

Wizerunek jako kategoria teorii komunikacji, antropologii kultury i semiotyki tekstu //Pod redakcją Aleksandra Kiklewicza , Centrum Badań Europy Wschodniej Olsztyn 2020 , 368 s.

Annotation

Guillermo Del Toro is one of the greatest directors of our time. He is best known for the Academy Award-winning fantasy films Pan's Labyrinth (2006) and The Shape of Water (2017), winning the Academy Award for Best Director and the Academy Award for Best Picture for the latter. But not every his fan knows that the director is the novels' author. His books Shape of Water, Trollhunters and The Strain are very unusual and of high-quality. There is something that unites them in all his books and films. His monsters (trolls, vampires, mutants, amphibians and other creatures) became a part of del Toro's image. His monsters live in their own world, but they reveal to contact people's world under different circumstances. Very often they based existing images, but the director transforms them, making them more individualistic and charismatic. For that he used various methods and techniques. Del Toro pays more attention to their becoming. However, in most cases, these creatures are monsters only on the outside, they have souls, feelings and dreams. And real monsters are men, who lack love, kindness and humanity.

Keywords

cinematography, Guillermo del Toro, monstrosity, ambivalence, visual image, art

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=234151&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Zinnatullina Zulfiya Rafisovna	ru_RU
dc.date.accessioned	2020-01-01T00:00:00Z	ru_RU
dc.date.available	2020-01-01T00:00:00Z	ru_RU
dc.date.issued	2020	ru_RU
dc.identifier.citation	Wizerunek jako kategoria teorii komunikacji, antropologii kultury i semiotyki tekstu //Pod redakcją Aleksandra Kiklewicza , Centrum Badań Europy Wschodniej Olsztyn 2020 , 368 с.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=234151&p_lang=2	ru_RU
dc.description.abstract	Guillermo Del Toro is one of the greatest directors of our time. He is best known for the Academy Award-winning fantasy films Pan's Labyrinth (2006) and The Shape of Water (2017), winning the Academy Award for Best Director and the Academy Award for Best Picture for the latter. But not every his fan knows that the director is the novels' author. His books Shape of Water, Trollhunters and The Strain are very unusual and of high-quality. There is something that unites them in all his books and films. His monsters (trolls, vampires, mutants, amphibians and other creatures) became a part of del Toro's image. His monsters live in their own world, but they reveal to contact people's world under different circumstances. Very often they based existing images, but the director transforms them, making them more individualistic and charismatic. For that he used various methods and techniques. Del Toro pays more attention to their becoming. However, in most cases, these creatures are monsters only on the outside, they have souls, feelings and dreams. And real monsters are men, who lack love, kindness and humanity.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	cinematography	ru_RU
dc.subject	Guillermo del Toro	ru_RU
dc.subject	monstrosity	ru_RU
dc.subject	ambivalence	ru_RU
dc.subject	visual image	ru_RU
dc.subject	art	ru_RU
dc.title	МОНСТРЫ ГИЛЬЕРМО ДЕЛЬ ТОРО КАК ЧАСТЬ ИМИДЖА РЕЖИССЕРА	ru_RU
dc.type	International monographs	ru_RU