Bibliographic description in the original language |
Safina G.F., Idiatullina L.T. Obrazy-simvoly «krylya», «ptica» v tatarskoy zhenskoy poezii 1980–2010-kh gg. (na primere liriki L. Shagirzyan) / G.F. Safina, L.T. Idiatullina // Kazanskiy lingvisticheskiy zhurnal. - 2022. - tom 5, № 2. - S. 147-158.
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Field DC |
Value |
Language |
dc.contributor.author |
Safina Gulnara Faridovna |
ru_RU |
dc.date.accessioned |
2022-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2022-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2022 |
ru_RU |
dc.identifier.citation |
Сафина Г.Ф., Идиатуллина Л.Т. Образы-символы «крылья», «птица» в татарской женской поэзии 1980–2010-х гг. (на примере лирики Л. Шагирзян) / Г.Ф. Сафина, Л.Т. Идиатуллина // Казанский лингвистический журнал. - 2022. - том 5, № 2. - С. 147-158.
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ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/eng/?p_id=273865&p_lang=2 |
ru_RU |
dc.description.abstract |
ISSN 2658-3321 (Print) КАЗАНСКИЙ ЛИНГВИСТИЧЕСКИЙ ЖУРНАЛ |
ru_RU |
dc.description.abstract |
The images-symbols of wings and birds are rooted in the depths of centuries, in
folk art and are endowed with many functions. In this article, based on the material of Lena Sha
girzyan's work, the semantic structure and features of the functioning of the image-symbol in the
Tatar women's lyrics of the 1980-2010s are established. The considered images-symbols are found
in poems of various periods of Shagirzyan's work; in her poetry she realized a huge complex of ar
tistic semantics with deep mythopoetic overtones. In the artistic world of the author, the image of a
bird incorporates both universal meanings and the traditions of national literature, is a symbolic ex
pression of a poetic gift, inspiration, falling in love, youth, the expectation of love, the value of true
love, etc. These images-symbols are woven into the individual and artistic world of Lena Sha
girzyan, reflect the unique features of her aesthetic ideal, creativity and social position, and act as
stable structural-semantic complexes. The symbolic meaning of certain types of birds, the colors of
wings, based on archaic mythological concepts, become a kind of semantic core of the image, its
semantic immutability. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
|
ru_RU |
dc.title |
Образы-символы «крылья», «птица» в татарской женской поэзии 1980–2010-х гг. (на примере лирики Л. Шагирзян) |
ru_RU |
dc.type |
Articles in Russian journals and collections |
ru_RU |
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